This is a resource roundup to relish a couple of important annual celebrations of dance movement! National Dance Week, an annual celebration of dance that takes place from April 19 to 28 this year is specially set aside to spread the delight and joys of dancing, and to create awareness about its impact and benefits.
May you feel inspired to move by these offerings and others being shared by dancers the world over!
Having enjoyed tracking twenty-three (and more) key actions in my Bullet Journal collections in 2023, I decided to keep it going this year with twenty-four 24’s in 2024!
Arranged according to my 8 major focus areas; Read, Write, Create, Practice, Serve, Connect, Sustain, and Adventure; in this way I get a somewhat holistic picture of my intentions and goals for the year. I focus on actions I can take, then see what results occur. Then I reflect, recommit or change direction, and carry on creating!
In celebration of International Women’s Day and Women’s History Month, I’m offering a complimentary online Beautiful Ballet Barre+ class!
We will kick off a new season of mindful movement with a delicious, gentle, adaptive beginner and beyond level online ballet barre to lovely music with one or two dancey, optionally-freestanding exercises.
Joyful and suitable to all levels and genders. Dancers will be encouraged to express themselves through classical dance movements, taking their own appropriate variations of standard ballet steps.
In this workshop, we will devise a collaborative choreography using our existing ballet and dance vocabulary, universal Elements of Dance, and a supportive structure that can be applied to future dancemaking.
We will begin with a simple dance phrase, developing varied interpretations, integrating our individual viewpoints, and emerging with a new work-in-progress. The process will generate more nuanced transitions and fuller expression in technique and performance practice, choreographic exploration, and bridging dance tradition and contemporary issues.
In her seminal collection of wisdom on classical ballet technique and pedagogy, Basic Principles of Classical Ballet: Russian Ballet Technique of Agrippina Vaganova, she states: “The first condition of good tours is an absolutely straight, held-together body. One should not lose the spot of the finish, and should always ‘feel’ the front so as not […]
Everyone deserves a break to rest and restore, and you can take one anytime, anywhere with an internet connection, and establish a self-care habit with this complementary yoga series! Announcing my FREE 5-Day Virtual Yogalicious ReTREAT! Yoga ReTREAT Invitation Video You are invited on a yogic getaway… I’m dropping in today to invite you to […]
I had long heard that “Plié is the first thing you learn and the last thing you master,” but had to look up who said it and adultballerinaproject.com says it was Suzanne Farrell, a famous ballerina whom I admired as a young dance student.
It’s one of the most amazing things to me that in ballet, as with other highly-sophisticated techniques, you can continue to learn new things about technique and artistry your whole life. The training never ends, no matter how “advanced” or masterful you become.
So it is with Plié. On the one hand, it’s just one of many steps a ballet dancer must learn, but it is also integral to modern dance and mastery of movement in general. All athletes could benefit from a little Plié in their lives.
A delightful conversation with fellow dance educator and UNCSA alumnus as well as super-talented and wonderful guy, Matthew Donnell! We talk about the highs and lows of being a multi-passionate jack-of-all-trades, his highlights as a professional ballet dancer, how to fall down and get back up again, the importance of révérence, character dance, and technique variety in ballet training, developing character in dancers and human beings, serving our communities, helping dancers find their voice, and assert that all people are valuable!
I can’t possibly provide an exhaustive account of such a dancing phenomenon as “The Nutcracker” ballet, but I’d like to share some of the history and my own fascination with the music, dancing, costumes, and magical story. Hopefully it sparks a bit of your own childlike wonder, dreams, and fantasies as well as your grown-up appreciation of music, storytelling, and the art of dance.
Part 1 of my mini-series on Dancing Body Acceptance! I had the great pleasure, during my personal “Body-Positive October” celebration research, to talk with Dietician Fumi Sumehara, who is based in Australia. Fumi took time out of her busy day at the DDD Clinic to talk with me about diet culture in ballet and society and ways to promote nourishment and a healthy relationship with eating and body image as dancers, teachers, companies and schools, and others.
