“The waves is on fire, the day is getting hot. This is my desire to the one to hit the spot, yeah. Cool down.” – Kolohe Kai I’m not a surfer, but I dig the song “Cool Down,” and it has been running through my head as I write this article. Just in the last […]
When everything is turbulent, how can we find equilibrium, equipoise? In my work as a movement educator in ballet, dance, and yoga, as well as life coaching, the topic of balance comes up so often! Therefore, I thought I would do an experiential exercise where I ponder on the process of balance in the body […]
Back-to-School is a good time to practice flexibility, adjusting to learning, new knowledge and schedules. Also the late-summer heat in the northern hemisphere is that much more conducive to a good stretch out. But tests to our personal resilience and ability to respond with agility to change come all year long. Maybe you already love […]
Dance theorists identify 7 basic movements of ballet or classical dance technique, and we can see these essential building blocks at play in every ballet pas, step, or movement. I’m excited to announce that around these 7 essentials, I’ve designed a free summer dance challenge to begin or continue your ballet journey, and you […]
I had long heard that “Plié is the first thing you learn and the last thing you master,” but had to look up who said it and adultballerinaproject.com says it was Suzanne Farrell, a famous ballerina whom I admired as a young dance student.
It’s one of the most amazing things to me that in ballet, as with other highly-sophisticated techniques, you can continue to learn new things about technique and artistry your whole life. The training never ends, no matter how “advanced” or masterful you become.
So it is with Plié. On the one hand, it’s just one of many steps a ballet dancer must learn, but it is also integral to modern dance and mastery of movement in general. All athletes could benefit from a little Plié in their lives.
Part 1 of my mini-series on Dancing Body Acceptance! I had the great pleasure, during my personal “Body-Positive October” celebration research, to talk with Dietician Fumi Sumehara, who is based in Australia. Fumi took time out of her busy day at the DDD Clinic to talk with me about diet culture in ballet and society and ways to promote nourishment and a healthy relationship with eating and body image as dancers, teachers, companies and schools, and others.
Here’s a healthy half-dozen ballet connecting steps to practice as you develop your dancing over the years, so many fun ways to get from one place to another!
Practicing the fluid upper body movements of ballet and creating lines with the arms, head, and body to beautiful music is one of my favorite elements of classical dancing. The way arm and upper body movements harmonize with those of the legs, the relationship to spatial geometry, and the range of expression available makes my heart sing.
This final week, we are setting up to keep your practice going after the “Intensive” is complete. The idea is to have a well-rounded conditioning and cross-training routine that requires a very small commitment of time. You can continue to add different movements slowly as well as take full-length classes with me online or through other teachers and live studios.
During July, I am sharing a fully adaptable “Summer Dance Intensive” program to develop body and mind for those who would like to be immersed in dance or yoga and don’t have the chance to attend such a workshop in-person. The suggested free sequences can provide a complement or bridge to online or in-studio practice. You can tailor the program to your needs, with anywhere from 5 minutes to 5 hours per day!
