A Blythe Coach

Tag: Ballet

Pleasing & Powerful Pliés in Ballet & Dance

I had long heard that “Plié is the first thing you learn and the last thing you master,” but had to look up who said it and adultballerinaproject.com says it was Suzanne Farrell, a famous ballerina whom I admired as a young dance student.
It’s one of the most amazing things to me that in ballet, as with other highly-sophisticated techniques, you can continue to learn new things about technique and artistry your whole life. The training never ends, no matter how “advanced” or masterful you become.
So it is with Plié. On the one hand, it’s just one of many steps a ballet dancer must learn, but it is also integral to modern dance and mastery of movement in general. All athletes could benefit from a little Plié in their lives.

Shake It Off! Stress & Tension Relief for Dancers, Athletes, and other humans under pressure

I love to “shake it out” after the focused effort of dance movements and yoga poses. This way we can release excess tension that may build up during exercises. There are psychological and spiritual benefits of letting go as well, and I share a variety of techniques in this article.

Creative Ballet Port de Bras – Arm Artistry Exploring Nature

Joyful movement in general, and ballet in particular, is one of the great passions of my life. I find the movements of the arms particularly captivating, and in recent times it has become more relevant than ever that they are accessible with little available space. As I age, I also appreciate how I can continue […]

Humor and Wisdom from the Multi-Passionate Dancing Life of Matthew Donnell

A delightful conversation with fellow dance educator and UNCSA alumnus as well as super-talented and wonderful guy, Matthew Donnell! We talk about the highs and lows of being a multi-passionate jack-of-all-trades, his highlights as a professional ballet dancer, how to fall down and get back up again, the importance of révérence, character dance, and technique variety in ballet training, developing character in dancers and human beings, serving our communities, helping dancers find their voice, and assert that all people are valuable!

Nutty for “The Nutcracker” Ballet: History, Story, Music, Dance & Holiday Magic

I can’t possibly provide an exhaustive account of such a dancing phenomenon as “The Nutcracker” ballet, but I’d like to share some of the history and my own fascination with the music, dancing, costumes, and magical story. Hopefully it sparks a bit of your own childlike wonder, dreams, and fantasies as well as your grown-up appreciation of music, storytelling, and the art of dance.

Dance Recovering from Eating Disorder with Dietician Mona “Kai” Iguchi

I was so pleased to welcome Kia’ikai “Kai” Iguchi to my podcast for the second installment in my mini-series on Dancing Body Acceptance! They have connected me with a wealth of wonderful resources when it comes to dancing nutrition, eating disorder treatment, equity and access and I’m so grateful for their knowledge.

Dancing Body Acceptance with Dietician Fumi Somehara

Part 1 of my mini-series on Dancing Body Acceptance! I had the great pleasure, during my personal “Body-Positive October” celebration research, to talk with Dietician Fumi Sumehara, who is based in Australia. Fumi took time out of her busy day at the DDD Clinic to talk with me about diet culture in ballet and society and ways to promote nourishment and a healthy relationship with eating and body image as dancers, teachers, companies and schools, and others.

Seven Satisfying Connecting Steps in Ballet Technique

Here’s a healthy half-dozen ballet connecting steps to practice as you develop your dancing over the years, so many fun ways to get from one place to another!

Wonderful Warmers Whet the Appetite – Movement, Dance, & Ballet Warm-Ups to Get Ready & Feel Good

Moving into the chilly and dark time of year here in the northern hemisphere, I like to get cozy and comfy, and also to bring some wonderful warmth from the inside out with yummy dance and movement warm-up exercises. As I age, it becomes more and more important to properly prepare for dancing and teaching, and it takes a little time and loving care to find ease and range of movement, as well as manage pain and stiffness. At any age, it is critical to properly warm up before we undertake larger movements and stretches in order to prevent injury.

Creamy Cecchetti-Inspired Port de Bras – Exploring Arm Artistry in Ballet Technique

Practicing the fluid upper body movements of ballet and creating lines with the arms, head, and body to beautiful music is one of my favorite elements of classical dancing. The way arm and upper body movements harmonize with those of the legs, the relationship to spatial geometry, and the range of expression available makes my heart sing.

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