A Blythe Coach

Wake Up! Yoga for Energy & Enthusiasm

What fosters energy and youthful enthusiasm in your life? What rituals help you wake up and maintain mindful presence? That’s what we’re exploring here and in episode 62 of the A Blythe Coach Podcast:

Podcast Episode 062: Wake Up! Yoga for Energy & Enthusiasm

I am not a medical doctor or expert, just sharing what works for me and recommendations from friends and professionals. Definitely consult with a trusted physician to treat the cause of your symptoms. 

Recently, students of mine shared about their experiences of insomnia, and I researched yoga poses, taught sequences on the theme, and compiled those and other natural approaches into the Seeking Sweet Sleep: Yogic Insomnia Solutions blog and podcast.

Before taking my August content pause, I also wrote about making the most of time off in the Rest & Recovery Rocks My World blog and podcast. Another key topic related to managing our energy is that of focus and priorities, which I discussed last April in the Approaches to Space: Qualities of Focus in Dance & Life blog. Each of these areas of self-care affect our energy levels and enjoyment of life.

Sweet sleep, productive rest and time off, and focusing on our priorities as we move into early fall brought me to my next topic, which is once we’re awake, how to feel energized, inspired, and awesome! In my life, I’ve been fortunate to be blessed with lots of energy, although I do go through periods of higher and lower energy and require quite a bit of sleep.

It helps to have fostered habits that help lift me up on days where I’m not feeling so peppy, like good nutrition, hydration, getting outside for fresh air and sunshine, engaging with my passions such as dancing, teaching, writing, creating and experiencing art, joyfully moving my body, plus remembering quality rest and recovery. Some yogis avoid coffee, but I am not one of them and really enjoy drinking the stuff. It’s an ongoing process!

Towering sunflowers, the energy of harvest & moving into a fruitful fall

Energizing Yoga Poses & Flows

The beauty of yoga as a holistic system is that it is great at balancing energy, whether we need to come down and mellow out in anxious times or need to wake up and rise to the occasion. Exactly what type of practice or which poses are most beneficial to you will depend on your constitution, experiences, needs, and the season of life you’re currently in. 

Practicing yoga has had a positive effect on my energy levels and mood, creating calm and grounding when I feel anxious, scattered, or jittery, and waking and warming me up, improving my sense of flow, enhancing focus and concentration, relieving pain, and radiating joy when I might feel a bit low. The practices of yoga can cultivate happiness, enthusiasm, vigor, and youthful energy. 

My knowledge of Ayurveda is still very basic, but I look forward to learning more in time, optimizing energy and health in the process. Meanwhile, The Woman’s Book of Yoga and Health, with sequences by Patricia Walden, has a specific recommended sequence for energy, which is the second one to be introduced after the “Essential Sequence.” I believe that the same poses and practices have value for people of any gender.

The poses in Walden’s “Woman’s Energizing Sequence” (p.25) include variations of Mountain Pose (Tadasana), Extended Triangle Pose (Utthita Trikonasana), Warrior II Pose (Virabhadrasana II), Extended Side-Angle Pose (Utthita Parsvokonasana), Warrior I Pose (Virabhadrasana I), Intense Side Stretch Pose (Parsvottanasana), Hero Pose with Cow-Face Arms (Virasana with Gomukhasana Arms), Downward-Facing Dog Pose (Adho Mukha Svanasana), Headstand (Sirsasana), Child’s Pose (Adho Mukha Virasana), Inverted Staff Pose (Viparita Dandasana), Camel Pose (Ustrasana), Upward-Facing Dog Pose (Urdhva Mukha Svanasana), Upward-Facing Bow Pose (Urdhva Dhanurasana), variations of Standing Forward Bend (Uttanasana), Shoulderstand (Sarvangasana), Plough Pose (Halasana), Bridge Pose (Setu Bandha Sarvangasana), Legs-Up the Wall Pose (Viparita Karani), and Corpse Pose (Savasana).

In researching yoga practices to promote healthy energy in The Woman’s Book of Yoga and Health, other books in my yoga library, and the practices and videos offered by other yoga teachers, the following themes emerged in terms of types of practices, flows, and poses: Sun Salutations of all kinds, Kundalini Yoga Exercises, Balancing Poses, Backbends & other Heart-Openers, and Inversions. Below I share examples of each type of pose and where available, links to videos where you can practice them with me.

Sun Salutations: Surya Namaskara – Yoga Sun Salutations A & B – 30 minute practice

Kundalini Yoga Exercises: Rib Spirals/Sufi Circles/Coffee Grinders – Yogic Breathing Practice – Pranayama – Nadi Shodhana + Kundalini Spinal Rotation

Balances: Eagle, Warrior III, Half-Moon, Crow, Side Crow – Good Space Yoga, Firefly

Backbends/Heart Openers: Upward-Facing Dog, Camel, BridgeBuoyant Bridges, Wild Thing, Wheel, Fish, Inverted Staff

Gentle Inversions: Legs-Up-the-Wall Cycle (Feet together, apart, crossed)

Refreshing Yoga Sequence Videos

I recently created a 3-practice video mini-series of these selected poses and flows, with the first sequence focused on low-to-the-ground poses, the second consisting of standing poses (no weight-bearing in the arms/upper body), and the last centered around arm balances:

Floor-Based Yoga for Energy – 45 Minute seated/kneeling/reclining

Standing Yoga for Energy – 25 Minute “hands-free”

Arm Balance Yoga for Energy – 30 Minute

In general, The Woman’s Book of Yoga and Health recommends that we “Exercise early in the day–aerobic activity like walking or jogging, energizing yoga sequences, and pranayama practice.” (p.243) Stimulating activities are better to engage in in the morning or midday, not too close to bedtime when they might inhibit sleep, although we can practice relaxing/restorative poses to relax and unwind later in the day.

Looking for more invigorating and tiring practices for your morning hours?Some other short, energetic yoga sequences for early in the day are:

These practices and more can be found on the Yogalicious playlist on the A Blythe Coach YouTube Channel.

Energizing Breathing Practices/Pranayama

Pranayama or yogic breathing exercises can be great for balancing energy, helping it flow through the chakras or energy centers of the body. These practices include Kapalabhati/Breath of Fire/Skull Shining Breath, Nadi Shodhana/Alternate Nostril Breathing, & Yoga for Integration – Bandhas & Kapalabhati.

More energy-balancing pranayama techniques can be found on the Beautiful Breathing – Yoga Pranayama Playlist on the A Blythe Coach YouTube Channel.

Meditation, Yoga Nidra, & Visualization

More free tools in the toolkit of fostering healthy energy are Meditation, Visualization, and Yoga Nidra. Check out my 2021 Meditation Challenge Blog, Daily Meditation Challenge Podcast, and Yoga Nidra – Deep Relaxation Practice Video for some ways to enhance energy through these practices.

Healthy Eating for Energy

Healthy nutritious eating can be a key factor in our energy levels, self-care, and well-being, check out my blog and podcast on the topic for more ideas for energizing foods.

It was a also a delight to be featured this month in Hong Kong Dance Magazine’s “Tutus & Tapas” dancer snacks article that included dancers around the world. Fun sharing my passion for balance, smoothies and cookies there!

Essential Oils & Herbal Teas

I’m privileged to have access to a good environment for sleeping, quality food, water, coffee & tea, herbs & essential oils, crystals, and a plethora of tools to enhance my quality of life. If they are within reach, you may also try Peppermint tea and/or essential oil, Ginger tea and/or essential oil, Grapefruit & Other Citrus & Lemongrass oils, or whatever scents or flavors that give you a lift! If these things are not available, just do what you can, breath and mindful movement are accessible to all.

Citrus essential oils, incense, clear quartz and citrine crystals

Energetic Crystals

Some of my favorites crystals to support energy and clarity are Clear Quartz, Citrine, Red Jasper, Aquamarine, & Tiger’s Eye.

Bracing Cold Showers

A practice I’ve taken up in the last year or so, which is indubitably invigorating, according to some studies helping reduce stress, improve mood, and boost immunity is Wim Hof-style cold showers.

I learned about Wim Hof’s method on Russell Brand’s “Under the Skin” podcast called “Ice Shaman,” Melissa Urban’s “Do the Thing” podcast “Cold Showers with Ed Sheeran” encouraged me to put a soundtrack to it (very helpful!), and Courtney Carver’s Be More with Less blog, “Lessons From 30 Days of Cold Showers (and other uncomfortable challenges)” pointed out a host of other benefits to facing challenge and discomfort.

Carver says of her experience: “I started the cold shower challenge on June 26th because I was curious, but also because I was bored with my quarantine routine. I craved a shift and cold showers delivered. This may not be a life-changing challenge, but it did brighten up my mornings. When I step out of the cold shower, I am wide awake.” Carver continues, “Starting on Friday, June 26th reminded me that I can always choose to change and grow. I don’t have to wait until Monday or January 1st or another special day or time. Now is a great time to start.”

In this way, both the cold shower itself and it’s physical and emotional benefits, and any small way you switch up and refresh your routine or get out of your comfort zone can invigorate your life. I also used the free Wim Hof App to start small with my cold shower habit and work my way up to longer and build a consistent “streak.” Now I spend a couple minutes in a cold rinse at the end of my shower 1-2 times per week and it’s a surefire wake-up!

Energizing Music

What music you find invigorating is going to differ from what I do, but this is to encourage you to figure out what that is for you, and use it as a tool to help you find a state of wakeful presence. Some of my favorite tracks to inspire creativity and energy are on this recent playlists:

Podcasts for Energy and Well-Being

What helps you wake up, feel vibrant, creative and focused?

Stay tuned here and on my YouTube Channel and for more about living a luscious life!! 

Blythe Stephens, MFA, Bliss Catalyzing Dance Educator & Coach
she/her or they/them
Founder of A Blythe Coach: move through life with balance, grace, & power

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

Rest & Recovery Rocks My World

In addition to stressing the importance of making time (and patience) for ballet practice, in her book The Ballet Companion, Eliza Gaynor Minden recommends that aspiring dancers also “make time for rest,” specifically stating that “Professional dancers generally take one day off a week. Allow yourself at least this much rest. Your body needs it.” (The Ballet Companion p.15)

Of course, this recommended minimum applies not only to dancers but to all humans! Life Coach Talane Meidaner insists that, “You need a day to do whatever you want with no plans, no list of things to do, no scheduled brunches, no lunches–a day to be totally free and spontaneous, to rest, to play, to honor your spiritual self.” (Coach Yourself to Success p.216)

Here I am exploring the importance of time off and ways to build it into our lives.  Just sharing what works for me and recommendations from friends and professionals, which is no substitute for the advice of a medical professional if you are injured or unwell.

This links to the Podcast companion to this blog, scroll down for more resources 🙂

How I know I need a break

Let me begin by saying that I don’t agree with the slogan that you should find work that you love so much that you never want to take a vacation. That is not a healthy balance! And, to my great delight, I already do work that makes my heart sing, fulfills me and brings me profound joy. But I STILL need breaks to prevent burnout and stay sane! 

What happens is, when I have been working consistently for a while without a significant vacation/time off, I will notice a loss in my characteristic patience, especially with the little ones at first, and then with seemingly all of humanity.

In times like those when I’m jonesing for a holiday, I become frustrated, overwhelmed, and snippy, but give me some days off (at least 2-3 in a row, and ideally two weeks to one month) and I am cured!

Without adequate time off, I lose perspective and therefore struggle to prioritize, focus, and strategize. Time away from the normal activities of my life, however much I love and enjoy them, as well as physical removal from my ordinary haunts is so refreshing. A mix of visiting friends and family and adventures to new locations is always nice.

These last months and years of pandemic have been a hard time for my wanderlust and thirst for a vacation getaway. I am grateful that we at least got out of town for a weekend on the Ahr Valley for my birthday, especially before the tragic devastation there. Actively scheming our next escapes and greatly wish to visit my parents in the near future!

In the meantime, I am planning to take time off from some of my projects, such as releasing my blog and new podcast episodes, in the month of August. I will still be teaching in-person and online, and will turn my focus to organizing my efforts for the fall. I have so many ideas and exciting upcoming podcast guests and topics, but want to make sure I’m delivering the best quality that I can, as well as make the mental and physical space to enjoy the process.

Rest as injury-prevention

With regard to our physical bodies, preventing undue fatigue by resting adequately helps us to prevent injury. When we do injure ourselves, immediately following the RICE protocol, the first step of which is to rest, is advised.

Becoming aware of and respecting our body’s early warning signals that we need to rest is critical. 

Gaynor Minden speaks about our power to heal ourselves and the need to respect limitations: “The body is quite good at mending itself but only if it’s given a chance to rest thoroughly. Try to rest the moment you feel an injury coming on, not after you’ve been to a doctor. The sooner you rest, the less likely you are to further stress the damaged tissue. Resist the temptation to try using the injured part periodically just to see if it still hurts. A healthcare professional will be able to advise you whether to continue resting it, do isometric exercises, or resume your regular activities.” (The Ballet Companion p.247)

The same is true of our mental and emotional well-being, we need to pay attention for warning signs of psychological stress and behave accordingly to allow time to rest, recover, and consult with a trusted professional. If Simone Biles can do it, so can we!

Self-Care & Sharpening the Saw

So how do we get the rest that we need? In this sense, self-care means identifying and taking care of your needs. It’s not always glamorous to rest or to do other practices that support our foundational well-being, but if we aren’t proactive about it, things have a way of escalating into larger problems.

In Coach Yourself to Success, Meidaner devotes several sections to rest and self-care concerns, such as “Identify Your Needs,” “Design Your Ideal Life,” and “Banish Adrenaline Burnout” (p.110, 130, 215).

“Sharpen the Saw” is Habit 7 of The 7 Habits of Highly Effective People, my favorite version of which is Sean Covey’s 7 Habits of Highly Effective Teens, where he explains:

“Habit 7 is all about keeping your personal self sharp so that you can better deal with life. It means regularly renewing and strengthening the four key dimensions of your life–your body, your brain, your heart, and your soul.” (p.206)

So what is missing in terms of sharpening your own saw? What does your ideal life look like in terms of rest, recovery, and recreation? The following are some ideas of places to look…

8 Hours of Quality Sleep nightly

When it comes to physical rest, the guideline is to shoot for at least 8 hours of deep, regenerative sleep each night. For myself, I find anywhere from 8-10 hours ideal, though on days where I get less and on lazy days off, I like to add a nap as well.

Part of getting good sleep on a regular basis is maintaining a regular sleep schedule, although I find this consistency challenging when my work and creative schedule varies greatly day-to-day.

If you sometimes have trouble sleeping, you might be interested to hear that I devoted another blog to Seeking Sweet Sleep: Yogic Insomnia Solutions as well as Podcast Episode 053: Yogic Approaches to Sweet Sleep & Natural Insomnia Solutions and the Yoga for Sweet Sleep YouTube video as resources and strategies to help.

Naps as needed

In the book Succulent Wild Woman, Sark emphasizes the value of nap-taking and I am totally on board with this! Like my sweet-tooth, my enthusiasm for napping seems to run in my family, and especially in very active and busy times of life, naps help me relax and refresh to keep going on important projects.

Sark claims that, “None of us get enough naps. Naps are essential for mental health. Naps are productive–contrary to what we’ve been taught.” (p.24) Whether it’s a 15-minute power nap in the middle of a long work day or a leisurely Sunday snooze, these periods of rest are something I relish on a regular basis.

Sacred evenings off

Meidaner also advises setting aside “sacred evenings” in Coach Yourself to Success:

“A sacred evening is just that: an evening you reserve for yourself to do exactly as you please, whether that is going for a stroll in the park, taking a bubble bath, getting a massage, reading a book, going to a concert, or just doing nothing at all. It is a time for you to be by yourself, to play, to rest, to relax. You have nothing planned or scheduled. It is sacred because you must hold it as inviolable time. That which is sacred is separate from mundane activity and set apart for a higher purpose. If you don’t take sacred time for yourself, it will get scheduled away like the rest of your life.” (p. 102) 

I can hear busy families protesting that they couldn’t possibly take such time off, and apparently Meidaner did as well, as she doubles down on the necessity for parents and caretakers to take the time to themselves: “If you have kids, it is ten times more important that you give yourself sacred evenings. You need time to engage in adult activities and time to be totally selfish.” (p.102) 

At least one day off per week

As I mentioned at the start, Eliza Gaynor Minden, Talane Meidaner, and many other experts recommend at least one full day off each week. I admit that taking a full day off each week is always in progress for me, as an freelance educator and coach my work often comes piecemeal and is challenging to consolidate.

Nevertheless, I am always striving to have a full unscheduled day each week. Part of this is not setting an alarm to wake up to, at least one day per week and as much as possible on holidays and vacations. Sometimes it means staying in pajamas the whole day. Sometimes it makes space for gentle restorative yoga, soothing music, candles and incense, sometimes baths, often naps, laying on beaches or floating in warm water when possible, pleasure reading and writing, lounging in cafes, sketching, flower-gazing, bird-watching, museum wandering, pondering works of art, and having someone else cook to name a few. These recuperative times can be alone or in peaceful companionship.

Meidaner reminds us, “You will burn out if you aren’t taking at least one day a week completely off. Somewhere, somehow this got lost. We schedule our weekends away. Our bodies, our souls need a day of rest. According to the Bible, even God took a day of rest. What better role model could there be?” (Coach Yourself to Success p.215-6)

Regular vacations

My goal for regular vacation-taking is to include quarterly-or-so mini-breaks or getaways, and approximately twice-annual longer vacations (at least 2 weeks). I appreciate travel, locally and worldwide, for the new sights, smells, tastes, nature, and cultural experiences. I tend to rotate between travel to visit family and friends, and voyages to new places, though it has become more difficult to do the latter and much easier to do the former from Europe.

As Anna Johnson relates in the book Three Black Skirts, retreats can be a nice option for those with the privilege of time and money: “The advantage of a retreat is that all practical needs are taken care of and there are no external distractions: Someone else cooks, someone wakes you at dawn, birds sing, and everyone around you is united by curiosity and a common aim.” (p.218)

Since quarantine, I’ve gotten into the idea of creating a retreat experience for ourselves at home and would be interested to support others in doin the same – would you like to see such an offering?

Whether we can manage an actual retreat or not, we can intentionally design our time off as we please, to meet our needs and current circumstances, keeping in mind our ideal and long-term vision of the role rest and recovery play in our lives.

You better believe Rufio the cat takes her proper time off

Tips for Maximizing your Downtime

Let’s say you’ve managed to schedule time off, how do you keep it available for yourself and make the most of it? Here are some skills we need to develop to do so:

Saying “no”

If we neglect to develop the skill of declining invitations or saying “no” to opportunities, we will not have the spaciousness and free time to ourselves that we need to rejuvenate us for our most important priorities.

Courtney Carver of the blog Be More With Less is a great proponent of saying no, and shares in the article, “10 Simple Ways to Help You Say No” that, “It’s hard to say no. It can feel uncomfortable. You might feel like you are letting people down. Even so, it’s one of the most important ways to create the time you want for what matters most…It takes time to take care of ourselves and when we don’t take that time, it’s hard to take care of anyone else at least not for very long. Continuing to serve everyone but ourselves will leave us completely depleted and there will be consequences.”

In order to make more breathing room in our daily and weekly schedule, as well as long-term, we must develop the skill of saying “no” when our heart is not 100% “yes.” Sometimes we must even refuse opportunities we would like to accept! 

Leave Work at the Office (or workspace)

When you do have time off, whether it be a sacred evening, full day off, or longer vacation, leave your work at the office! Anna Johnson admonishes us: “Carrying the office in a metaphoric lump in your handbag or hauling it with you on vacation or treasured getaway weekends is more about guilt than it is about diligence. Nine times out of ten the work is ignored and serves only as some sort of physical penance for wasted working hours.” (Three Black Skirts p.135)

Productive Uses of Free Time

Be mindful about how you are spending the precious free time you have created for yourself. Perhaps you would like to pursue hobbies and amateur creative outlets, outdoor or athletic activities, travel, fiction, pleasure, or “beach reading,” reflection and writing or meditation.

Consider which activities are truly restful and restorative for you, and which actually drain energy and inspiration from your life. This will look different for each person, but some habits we consider relaxing are more beneficial than others. As Anna Johnson explains it,

“Refine your relaxation. How you choose to unwind affects the way you work. Real downtime means restoring, instead of depleting, your energy supply. Typical escape routes such as television, alcohol, coffee, and the phone leave jangled nerves in their wake instead of soothed ones. Of the four opiates, TV and the phone are the biggest time suckers. Try to spend some of your downtime doing something deeply restful like yoga, meditation, gentle exercise, or inspirational reading. Books unrelated to work have a funny way of filtering back in subtle, positive ways.” (Three Black Skirts p.136)

In these times of seemingly-endless screentime and smartphone use, we may consider “digital sabbaticals” or breaks from social media and/or other electronic connectivity, another topic which I may explore in the future.

If you’d like to learn more about reflection, writing, meditation, and relaxation, you may also enjoy my Reflective Practice Through Journaling and 2021 Meditation Practice Challenge blogs and my Yoga Nidra relaxation video.

Don’t skip Physical Therapy & mindful movement

One thing I (and experts) recommend you do NOT take time away from is your basic physical therapy, training, or conditioning. One of my professors from graduate school, Betsy Fisher, shared wisdom with me about how especially after a certain age, it is not worth it to take a total break from exercise.

Her opinion, which I now share, is that it simply requires too much time to regain the strength and stability lost after a break of, say, a couple weeks or more. It is too great a risk getting taken out by injury when we return to dancing, whether it be performance, teaching, or recreation and ultimately is easier and less painful to maintain than to regain! So do take a break from super-intensive or strenuous training if you like, but keep a certain baseline of conditioning so you don’t put yourself at undue risk from too much time away.

Rest for the weary

We all know that adequate rest is required to feel well and perform our best, but most still are challenged to take the breaks we need. “No rest for the weary” and “I can sleep when I’m dead”  are commonly-expressed sentiments. Workaholism is rampant. 

Stepping away from my projects and aspirations provides me fresh energy, I get perspective, the opportunity to check-in with myself, make sure my priorities are in order, and cultivate my personal relationship with my partner, family, friends, and myself. I get back my optimism, pep, and patience. Challenges are more manageable and I’m resilient to adapt to change. Learning becomes easier and I can appreciate the process of digesting new information, making connections, working with clients and students, and creating.

Although in some times in life it may feel impossible to take a break–when you have a newborn or as you are taking on another kind of new responsibility, for example. But it serves our well-being and performance best to become aware of our needs and plan for them, preventing burnout and keeping us rejuvenated and ready to take on our dreams! 

Relaxing Bedtime + Wind-Down Yoga Practices

Below are some chill yoga practices that you may enjoy:

I also have a few related past podcasts, such as 011: Creating Good Space, 023: Care & Actualization of the Self, 031: Healthy Habit-Building, & 033: Daily Meditation Challenge.

  • What helps you rest, recover, and rejuvenate?
  • Do you take regular sacred evenings off, a full unscheduled day per week, and vacations?
  • What is missing in terms of “sharpening your own saw?” 
  • What does your ideal life look like in terms of rest and recreation?

Send me an email or come on over to the A Blythe Coach Facebook Page to share your experience with time off, saying no, and productive rest! 

Blythe Stephens, MFA & Bliss Catalyst
she/her or they/them
A Blythe Coach: Dance Education & Coaching 
move through life with balance, grace, & power

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

Adult Adaptive Summer Dance Intensive Week 4: Completion & Continuation

Have you been dancing along with me through the Summer Dance Intensive? If so, are you a bit sore yet? 🙂 I hope you’re having fun and experiencing growth and transformation! Please remember that this program is meant to be taken in your own time, at your own pace.

Speaking for myself, I have definitely been feeling the effects of my personal “Adaptive Adult Summer Dance Intensive: since week one! I’ve got a rotation of tired and stiff muscles (which I love, because it means I’m getting stronger!) and am feeling noticeably more stable, secure, and fit to dance. 

It’s amazing how minimal effort each day can yield noticeable gains in strength and stability, flexibility and range of motion, and general well-being. 

This and the last three blogs (Adaptive Adult Summer Dance Intensive Weeks One, Two, & Three) have presented weekly suggested programs to develop body and mind, providing a complement or bridge to online or in-studio practice. 

You can tailor the program to your needs, with anywhere from 5 minutes to 5 hours per day, choosing to participate in the recommended YouTube videos for specific exercises (great for cross-training and preventing injury alone or in combination with classes at your local studio), recorded classes and combinations, Live Online group classes and/or Live Online Private Lessons and Coaching or even join live in-person classes with me in Cologne, Germany! 

Podcast episode 060 is the audio for this blog, scroll down for links to exercises

Week Four Overview

Week four is all about continuing the work we’ve started, finishing strong, and getting complete on our efforts so far. We are fostering a Creative State of Being and connecting with the Element of Air. 

We are practicing exercises to continue to condition the body for dance, expand dancing movement vocabulary, compose dances, describe & critique choreography. 

This final week, we are setting up to keep your practice going after the “Intensive” is complete. The idea is to have a well-rounded conditioning and cross-training routine that requires a very small commitment of time. You can continue to add different movements slowly as well as take full-length classes with me online or through other teachers and live studios. 

Recommended Viewing: Paris Opera Ballet’s “Cendrillon,” with choreography by Rudolf Nureyev and a golden age of Hollywood twist on the classic “Cinderella” ballet (link is to a trailer, I sadly can’t find a full-length version currently- happened to catch it on television via Arte).  

Criticism: Use the Be a Dance Critic tool, which is a framework for dance criticism with questions to help write reviews of choreography and performance. Through this you will describe, analyze, and interpret your viewing of “Cendrillon” (above) or another dance work you’ve been looking forward to seeing.

Listening: Finding a Creative State of Being and Finding a Related State of Being, and Acknowledgement, Révérence, & Namaste (if you didn’t listen to it in week 3) podcasts.

Repertory: we will continue to learn the “Queen of the Dryads” variation from “Don Quixote:” I will share variations on this short choreography, and you can also create your own translation as a composition exercise.

Improvisation: “Egg” exercise from Twyla Tharp (below), dance freely to “Pluma” or your other favorite music of the moment, or do a study of what movements you associate with the dreamy character of the “Queen of the Dryads” (above) experimenting with your new dance vocabulary, or whatever freestyle movement floats your boat.  

Tharp’s “Egg” Improvisation Instructions:

“I sit on the floor, bring my knees to my chest, curl my head down to my knees, and try to make myself as small as I can. In this minimalized shrunken state, I have nowhere else to go; I cannot become smaller, I can only expand and grow. And so it becomes a ritual of discovery for me. If I lift my head and straighten my back I become Tall Egg. If I stretch out my legs and point my toes, forming an L-shape, I become Jackknife Egg. I stick with it as long as it remains interesting, sometimes going through as many as a hundred positions. I’ve been doing this daily for years and I usually find something new in the process… I like the Egg routine because it is so basic. You don’t need to know anything or be in particularly good shape to do it (although some stretching is a definite help). The only requirement is a commitment to the process. The starting Egg position is your home base and you are setting out to see see how far you can travel from home…Egg is an exercise that teaches you how to accomplish the most difficult task in any creative endeavor: begin.” (The Creative Habit p.112-3)

Composition: translations of  “Queen of the Dryads” variation (i.e. simplification, modifying elements of dance such as use of time, space, or use of the body, music…), or other classical variation or other theme of your choosing.

Reflection: since it is the final week of the Adaptive Adult Summer Dance Intensive and I want to support you in moving powerfully forward, it will serve us to reflect on the learning of the last four weeks and determine how to proceed from here, to free us of any could have/would have/should have or disempowering energy. To that end, you are invited to respond to the following prompts:

  • What have you accomplished and what do you declare complete from this month-long intensive program? 
  • What is missing or incomplete? 
  • What is next to grow your dancing practice?
  • What would you like to be acknowledged for?
Still image from the new “Tantalizing Tendu, Pas de Cheval, & Undercurve Combination

Daily “Menu” for Week 4 +

For your daily program in Week Four and continuing, pick:

Days 22-26

Choose an foot/ankle conditioner + core activator + axial movement or step**
and/or dance warmup/class, yoga practice, or stretching session
and/or improv, composition, repertory, collaboration, or criticism

** Arms: any of the excercises from weeks 1-3 or
Ballet Second Port de Bras – Cecchetti technique (4:26)
Port de Bras Story: 1st-4th Cecchetti Technique arm exercises (9:21)

** Leg work at the barre: any of the exercises from weeks 1-3 or
Plucky Petit Battements (12:29)
Frothy Frappé & Jeté (10:29) 
Types of Jumps – Ballet & Modern Dance Allegro Categories (5:26)
Ebullient Battement & Passé (6:36)
Balletlicious Barre Leg Stretch (12:20)

** Centre work from weeks 1-3 or
Amazing Undercurves (8:52)
New Tantalizing Tendu, Pas de Cheval, & Undercurve Combination (9:47)
Embracing Ballet Balancé (11:03) 
Tourner (6:26)
Articulate Adage – Ballet Centre Développé & Body Positions (14:04)
Glissade + Assemblé Jumps (7:01)
Chasing Chassé (8:17)
Ballet Révérence for all ages (4:58)

Day 27

Yoga Cool-Down – Pigeon, Seated Stretch + Savasana (14:42),
6-Minute Hip Stretch for after ballet or sports, or your favorite relaxing/restorative practice.

Day 28

Winning at Warrior III (41:11), Acknowledgement + Namaste 1-Hour Yoga Practice, or take a break outside!

Week Five On: Continuing Practice

After the “official” 4-week program is done at the end of July, you are encouraged to keep practicing into week 5 and beyond, to work with others to generate a Related State of Being through Partnering, Collaborative Choreography, Repertory, sharing and critiquing Choreography, or ongoing Technique development, and connect to the Element of Ether.

Resources for Your Personal Dance “Intensive

The Ballet Movement Vocabulary Hyperdoc is an interactive syllabus of ballet steps, techniques, and concepts. The Student Profile & Intended Results form can be a reflective tool for you to formulate your objectives, as well as help me tailor content to fit your needs. For more information on designing training to achieve your dancing dreams, check out the Goal Setting for Dancers blog as well.

You can follow some or all of the daily plan above, or sample à la carte steps and exercises from the playlists below:

Practice Video Playlists

Body-Part Specific Conditioning & Cross-Training Video Playlists

Yoga & Pranayama Video Playlists

Theory Video Playlists

Opportunities to Move Together Live

Sunday morning hybrid Yoga class online and in-studio at Tanzschule Tanzraum Zentrum in Cologne Germany @11:00 CEST, Tuesday morning online Yoga class @6:15 CEST, and Tuesday morning online Ballet class @8:00 CEST on Zoom (Tuesday morning German time is Monday evening in HI, late night on the US mainland).

Further group classes or private lessons available by request, schedule a consultation to discuss. I am also continuing to go “Live” every weekday on social media to practice the day’s movements together, talk about improv, repertory, and choreography practices and answer your questions, so join me there for more fun and support! 

Acknowledgment & Completion Celebration

I want to acknowledge you for taking the time to read my blog, and those who watch and move along with my YouTube videos, subscribe to my email newsletter, listen to my podcast, or are live students and clients for your efforts, growth, commitment to learning, increased knowledge, skill, and confidence.

I hope you celebrate your personal efforts and progress, too! Your participation, support, feedback, love, and community are so needed at this difficult time for us all! Live it up, and contact me if you’d like a personal acknowledgment for the glorious being you are in the world!

What’s Next Post-Intensive?

There’s lots more to come on the topics of completion, rest & recovery, dealing with mistakes and failure, elements of dance, specific ballet movements, yoga flows, and more! Come on over and subscribe to the YouTube Channel and join my email newsletter to receive my latest free offerings, favorite resources from myself and others, joy, and inspiration 🙂

Blythe C. Stephens, MFA, Bliss Catalyst
A Blythe Coach: Dance Education & Coaching 
move through life with balance, grace, & power
A Blythe Coach on Facebook & Instagram
Convertkit Commerce Unlimited Online Ballet & Yoga
Tanzschule Tanzraum Cologne, Germany 

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

Adaptive Adult Summer Dance Intensive, Week 3

During July, each week I am sharing a fully adaptable “Summer Dance Intensive” program to develop body and mind for those who would like to be immersed in dance or yoga and don’t have the chance to attend such a workshop in-person. The suggested free sequences can provide a complement or bridge to online or in-studio practice. You can tailor the program to your needs, with anywhere from 5 minutes to 5 hours per day and any level of experience!

Have fun customizing your program for your current condition, skills, and lifestyle, and please let me know what questions you have and how I can best serve you! I would be delighted to work with you individually to help design and execute your ideal training program- just email me at blythe@ablythecoach.com to book a consultation

If you’re just joining me for the Summer Dance Intensive, be sure to get the scoop on Week One and Week Two first.

Week Three Overview

Week 3 expands on our foundation and centering from the first two weeks, building an Oriented State of Being and connecting with the Element of Water. We will flow into some improvisation which will later lead to composition, and continue to develop movement vocabulary and skill through dance exercises and appreciation.

This week you can choose to dive deeper into viewing and reflecting on choreographic works, yoga, breathing, and meditation practices, modern dance, or ballet. If jumping is appropriate for you, in ballet/dance we begin to practice becoming airborne as well as continuing work with the Elements of Dance of the Body, Shape, and Space. 

Recommended Viewing: Post:ballet’s “Swan Lake” for dance appreciation (use the Dance Appreciation Observation Tool can help with note-taking), and my “Planes of Space & the Body”  & “Ballet Orientations of the Body” videos for theoretical framework.

Recommended Reading: Dance Criticism Model Tool, Spatial Dimensions and Planes blog.

Recommended Listening: Podcasts 003: Finding an Oriented State of Being & 012: Acknowledgement, Révérence, & Namaste.

Having laid a solid foundation, if we’re up for it, this week we launch into the air (with stretched feet!) as in this photo of me performing royale at the barre

Week 3 Basic Daily Practices

Day 15: Planking Pleasures (@2:38-5:34), Kicky Floor Kicks (@6:02-8:14), Powerful Pliés (@12:53-16:55), Tempting Tendus (@5:57-9:05), Saucy Prances & Sautés (10:37) [10-25 minutes]

Day 16: Ankle Alphabets (@00:47-2:30), Sweet Leg Swings [13:20], Sensational Caterpillar Walks (@5:48-6:56), Centre Tendu, Temps Lié & Body Directions (11:09) [25 minutes]

Day 17: Towel Toes (@2:05-5:01), Planking Pleasures (@2:38-5:34), Powerful Pliés (@12:53-16:55), Saucy Prances & Sautés (7:05-10:18), Ballet 1st Port de Bras (5:51) [15-20 minutes]

Day 18: Beatific Boats (5:07-5:46), Plush Paralleleves (3:17-5:28), Powerful Pliés (@12:53-16:55), Tempting Tendus (@5:57-9:05), Ravishing Rond de Jambe (15:36) [15-25 minutes]

Day 19: Ankle Alphabets (@00:47-2:30), Buoyant Bridges (5:44-8:09), Saucy Prances & Sautés (7:05-10:18), Rollicking Pas de Bourrée (8:21) [15-20 minutes]

Day 20: Intro to Hip Stretches (14:49) 

Day 21: Slow Your Roll – Gentle Circles Yoga (21:47)

Resources for Your Personal Dance Intensive

The Ballet Movement Vocabulary Hyperdoc is an interactive syllabus of ballet steps, techniques, and concepts. The Student Profile & Intended Results form can be a reflective tool for you to formulate your objectives, as well as help me tailor content to fit your needs. For more information on designing training to achieve your dancing dreams, check out the Goal Setting for Dancers blog as well.

You can follow some or all of the daily plan above, or sample à la carte steps and exercises from the playlists below:

Dance Practice Video playlists

Body-Part Specific Conditioning & Cross-Training video playlists

Yoga & Pranayama Practice playlists

Theory Video playlists

Opportunities to Move Together Live

I am teaching Sunday morning hybrid Yoga class (online and in-studio at Tanzschule Tanzraum Zentrum in Cologne Germany) @11:00 CEST, Tuesday morning online Yoga class @6:15 CEST, and Tuesday morning online Ballet class @8:00 CEST on Zoom (Tuesday morning German time is Monday evening in HI, late night on the US mainland).

Delighted to offer further group or private lessons by request, just schedule a consultation to discuss.

I am also continuing to go “Live” every weekday on social media to practice the day’s movements together and answer your questions, so join me there for more fun and support! 

A Blythe Coach: Dance Education & Coaching 
move through life with balance, grace, & power
A Blythe Coach on Facebook & Instagram
Convertkit Commerce Unlimited Online Monthly Ballet & Yoga Classes 

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

Adult Adaptive Summer Dance Intensive, Week 2

Welcome to week two of my first offering of the Adult Adaptive Summer Dance Intensive! If you have not yet read or participated in Week 1, please go back to this blog and podcast for the full scoop on the suggested program and ways to make it your own!

In week two, we are focused on finding a Centered State of Being and connecting with the element of Fire, with more stability and core work, exercises for integration, and expanded dance movements.

Podcast 059 is the audio version of this blog, but scroll down to the Week 2 Overview and Basic Schedule for links to videos for my recommended exercises for the week

It still requires only 15 minutes or so per day, and can be expanded with my ballet and dance exercises, full-length classes online or in-person, dance appreciation and criticism viewing, improvisation, learning dance repertory, composition/choreography…the sky’s the limit!

For the basic dance conditioning/injury prevention/cross-training program, we continue our Ankle ABC’s, Planking Pleasures, and calisthenic variations from last week (Jelly Jumping Jacks, Luscious Lunges, Scrumptious Squats, Tempting Tricep Dips, and Push it Up!), introducing new foot work (Towel Toes), cross-training (Caterpillar Walks), dance warmups (Kicky Leg Kicks, Sweet Leg Swings), and ballet movements (Powerful Plies, Tempting Tendus, Port de Bras Story).

I would be delighted to work with you individually to help design and execute your ideal training program- just email me at blythe@ablythecoach.com to book a consultation

Week 1 Follow-Up

Recommended Viewing: “Strange Fruit” by Pearl Primus, for more on Pearl Primus (the choreographer of the week 1 recommended viewing) consider this history video and this article as well.

Recommended Writing: We used the Needs Assessment + Goal Setting tool (and if you missed it, you can do so now) to strategize the design of your personalized program & the Dance Appreciation Observation Tool to remember details of dance appreciation recommended viewing above for future reference, writing, and choreographic inspiration

Recommended Reading for Weeks 1 & 2: Elements of Dance: The Body, Shape, Action; Ballet Movement Vocabulary Hyperdoc (links to videos and blogs)

Oh hello! Look forward to seeing you in the studio live this week or virtually 🙂

Week 2 Overview

Recommended Viewing: For dance appreciation, the full “Don Quixote” ballet (link to the version by Carlos Acosta at the Royal Ballet), and for learning performance repertory, the “Queen of the Dryads” variation from “Don Quixote” performed by Maria Khoreva at the Mariiksky Ballet (more info about the ballet also included in the description for the video). I will be teaching modifications of this well-loved dance this summer to adapt it to beginning through advanced dancers.

Recommended Listening: Finding a Centered State of Being podcast

Week 2 Basic Daily Schedule

Day 8: Towel Toes (5:20), Planking Pleasures (@2:38-5:34), & Full Micro-Workout (@4:42 to practice, then however many sets you prefer) OR Push It Up! (1:33-3:45) & Jelly Jumping Jacks (@5:58-8:22) [13 minutes]

Day 9: Ankle Alphabets (@00:47-2:30), Oh Wow! Cat-Cow (@3:37-5:32), Sensational Caterpillar Walks (7:30 *OR Push it Up!*),  Jelly Jumping Jacks (@5:58-8:22), Beatific Boats (6:06) [15-20 minutes]

Day 10: Planking Pleasures (@2:38-5:34), Sensational Caterpillar Walks (@5:48-6:56), Powerful Pliés (16:55 or practice @12:53-16:55), Plush Paralleleves (5:49) [20-25 minutes]

Day 11: Towel Toes (@2:05-5:01), Sensational Caterpillar Walks (@5:48-6:56), Kicky Floor Kicks (8:37), Wonderful Whirligigs (5:49) [15-20 minutes]

Day 12: Ankle Alphabets (@00:47-2:30), Kicky Floor Kicks (@6:02-8:14), Plush Paralleleves (@3:17-5:28), Wonderful Whirligigs (@4:05-5:12), Powerful Pliés (@12:53-16:55), Tempting Tendus (9:49, practice @5:57-9:05) [15-20 minutes]

Day 13: Towel Toes (@2:05-5:01), Planking Pleasures (@2:38-5:34), Kicky Floor Kicks (@6:02-8:14), Powerful Pliés (@12:53-16:55), Tempting Tendus (@5:57-9:05) [16 minutes] …or take the day off and rest or get outside 🙂

Day 14: Ankle Alphabets (@00:47-2:30), Sensational Caterpillar Walks (@5:48-6:56), Powerful Pliés (@12:53-16:55), Tempting Tendus (@5:57-9:05) [10 minutes] …or take the day off and rest or get outside 🙂

Expanding + Adapting the Dance Intensive

If you have more experience and are in condition for dancing, explore my YouTube Playlists: Ballet Barre and Ballet Centre, Wonderful Dance Warmup, Sumptuous Stretching, Micro-Workout, Yogalicious, Beautiful Breathing, & The 7 Movements of Ballet, Concentrated Core Conditioning, Foot & Ankle Conditioning, Arm Artistry, & Legs, Legs, Legs.

Also new this week is my 45-minute Floor-Based Yoga for Energy practice, great if you’re needing more pep in your step to get dancing!

I am going “Live” every weekday on social media to practice the day’s movements together and answer your questions, so join me there for more fun and support 🙂

Meanwhile, I would like to know: 

  • How do you cultivate energy, wakefulness, and presence?
  • What physical skill and what mental skill are you developing this week?
  • How can I serve you?

Send me an email at blythe@ablythecoach.com or come visit me at the A Blythe Coach Facebook Page to respond, I love hearing from you!

A Blythe Coach: Dance Education & Coaching 
move through life with balance, grace, & power
A Blythe Coach on Facebook & Instagram
Convertkit Commerce Unlimited Online Monthly Ballet & Yoga Classes 

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

Adaptive Adult Summer Dance Intensive 2021

Summer can be a fruitful time to advance our craft, with warm weather and time off from school or (sometimes) work to focus on developing dancing strength, flexibility, balance, endurance, skills, & repertory. Even famous ballet pedagogue Agrippina Vaganova remarked on the particular value of working on your ballet technique in the summer months.

My virtual studio is open to support your dancing and movement goals this summer

Back in the day, I enjoyed summer ballet “intensives” with the Nashville Ballet and my home studio, the West Hawaii Dance Academy. Until I departed for ballet conservatory study at North Carolina School of the Arts, these were unique opportunities to dive deeper and gain exposure in the profession. Later I would teach at summer dance camps and accelerated summer university ballet courses, and I’m always blown away by how much growth and improvement can occur in a short, concentrated timespan!

Courses in Ballet Technique, Pointe, Pas de Deux, Character Dance, Jazz, Tap, Body Conditioning, Pilates, Yoga, Dance History & Appreciation, Repertory, & Choreography were often included, whereas during the schoolyear, we mostly just technique, pointe, and rehearsals fit in with school. Of course there are also “summer intensive” opportunities for the study of other dance techniques, athletic pursuits, and yoga workshops as well.

And now there are such “intensive” opportunities for adults as well as youth, which is also exciting! But not everyone has the time or money to invest in extensive training…

Flexible & Adaptive Summer Dance Training

Tune in on Spotify for Podcast 058, the audio version of today’s blog, and scroll down for the weekly plan and other resource links

If you would like to immerse yourself in dance or yoga this summer and don’t have the chance to attend an intensive in-person, I’d like to offer an at-home online option that can flexibly meet your needs. Because of its (primarily) virtual nature, you don’t have to participate synchronously in real-time, so you can also start the program anytime!

During July, I will present weekly suggested programs to develop body and mind, providing a complement or bridge to online or in-studio practice. You can tailor the program to your needs, with anywhere from 5 minutes to 5 hours per day! I’ll also be following the program myself and going live on social media each (week) day to share about the week’s exercises, recommended viewing, listening, reading, and tools and also field any questions you may have.

Depending on how much time you can spend, you may choose to participate in the recommended YouTube videos for specific exercises (completely free and great for cross-training and preventing injury alone or in combination with classes at your local studio), recorded classes and combinations (also free), Live Online group classes and/or Live Online Private Lessons and Coaching or even join live in-person classes with me in Cologne, Germany (reasonably priced). 

Perhaps you have an injury or other physical limitation. While you should seek appropriate treatment first, because your program is fully personalized, it can accommodate many special situations and needs.

Assess Your Needs & Plan Your Program

Have fun customizing your program for your experience, skills, and lifestyle, and please let me know what questions you have and how I can best serve you! I would also be happy to work with you individually to design and execute your ideal training program- just book a consultation HERE

In order to start strong, establish your goals and find the right program for you, I recommend that you start by completing a needs assessment, the Client/Student Profile & Intended Results Google Form. This can be a reflective tool for you, as well as help me tailor content to fit your needs. For more information on Goal Setting for Dancers, you may also consult my blog by that name.

Please remember that participation is at your own risk, and I strongly recommend consulting with your MD or other medical professional before beginning a new exercise program of any kind. It is better to ease into new programs and movements for sustainable training, so take it at your own pace.

Dancing in Kailua-Kona, HI back in my early days

Choose to focus on ballet, modern, creative dance, yoga, or general cross-training

Being fully customizable, the cross-training applies to all movement disciplines, and beyond that you can focus on what interests you the most. You will find video and blog content on a variety of dance and yoga topics, from technical instruction to theoretical understanding to creative inspiration.

Focus on Ballet

If you wish to pursue an intensive centered on Ballet, my Ballet Movement Vocabulary Hyperdoc is another handy resource, forming a syllabus with links to videos defining, teaching, and practicing basic ballet vocabulary. I teach weekly adult ballet classes both online and offline, so you can avail yourself of those offerings if they fit your location and schedule, or you may opt to attend classes locally. 

For à la carte steps and exercises, my Ballet Barre and Ballet Centre Playlists on the YouTube Channel provide an introduction, or you can start with the Wonderful Dance Warmup, Sumptuous Stretching, or Micro-Workout (creative variations on classic calisthenic/aerobic/warmup exercises) Playlists.

For a more conceptual introduction, The 7 Movements of Ballet Playlist provides theoretical groundwork. If you have significant ballet experience, I have started a Ballet Classes Playlist with recommended free full-length advanced classes, and will keep adding to it (which are your favorites?). 

Focus on Modern, Jazz, or Creative Dance

Such syllabus/movement vocabulary documents for Jazz and Modern dance are still in-the-making for me (let me know if you’d like more videos and content on these topics!), but students of these styles will also find knowledge of the ballet vocabulary helpful. You can also jump right into sampling the Wonderful Dance Warmup or Elements of Dance Playlists on YouTube that include universal exercises and concepts for all dance styles.

You can combine physical practice and more academic learning, or even focus entirely on appreciation, theory, improvisation, choreography, or performance criticism. In the future, with demand, I will delight in providing more resources on these topics.

Focus on Yoga or Cross-Training

You may also focus on Yoga, Dance Conditioning, or Cross-Training for dance, ballet, and athletics. In this case you can go ahead and peruse the Yogalicious (mostly shorter introductory yoga practices with different themes), Full Yoga Practice Replays (50-minutes to 1 hour), Beautiful Breathing (Pranayama), Micro-Workout, or Sumptuous Stretching Playlists, or for more general inspiration, check out the Luscious Life Playlist.

You can also focus on training specific areas of the body to support your individual goals:

I do practice yoga all year (snowy rooftops pictured here), but it’s especially delightful in warm weather

Flexible Schedule & Timing

Your typical dance summer intensive is full-day training, every day for 2-6 weeks. This program will continue for a month, but of course is completely flexible, so you can join every day, every other day, for only one week, for the full month, spread it out over a longer period of time… anything is possible!

Start by following my recommended daily program, optionally adding full-length ballet, dance, and/or yoga classes live, online, or recorded. Then as desired, include learning choreographic repertory & rehearsals, aerobic cross-training (such as swimming, hiking, bicycling, or your favorite variations on my Micro-Workout), and/or personal physical therapy exercises. 

Example Training Schedules

5-15 Minutes Per Day: follow the video plan below for dance conditioning to keep you in shape as a complement to light training in other areas, such as walking while traveling or on your lunch break. This is good for those who are strapped for time, but want to return to dance classes in the Fall or at some later time. Or maybe you want to start a dance class for the first time and show up with some foundational skills under your belt. This version does not include the elements of full classes online or live, or the dance repertory, appreciation, and criticism, but can be a beneficial first step in building your practice.

1.5+ Hours Per Day: follow the videos daily and also take a yoga or dance class (online or in-person) 2-6 times a week. You may choose to add the dance appreciation/criticism if you like. 

3+ Hours Per Day: One dance and/or yoga class and the training videos daily, also watching recommended performance repertory, opportunity to learn to perform ballet variations or other dances, create choreography, and write dance criticism (reviews). 

Live Classes with A Blythe Coach

Yoga

Sunday morning hybrid class online and in-studio at Tanzschule Tanzraum Zentrum in Cologne Germany @11:00 CEST

Tuesday morning online-only class @6:15 CEST: sign up through Convertkit Commerce linked here for monthly-recurring class savings or message me for drop-in rates.

Ballet

This week, adult online-only class @8:00 CEST will be Thursday morning (8 July) and then subsequent weeks it will fall on Tuesday (13 July+): sign up through Convertkit Commerce linked here for monthly-recurring class savings or message me for drop-in rates. Message me with any questions and I’ll be happy to help 🙂

Further group classes or private lessons available by request, schedule a consultation to discuss.

Week One Overview

Week One is about laying the Foundation, easing into dancing, establishing a Grounded State of Being, and connecting with the Element of Earth.

To start strong, outline your current state, goals, and challenges, and help me cater a program to meet your needs by completing the Needs Assessment.

Recommended Viewing: “Strange Fruit” by Pearl Primus. A classic, beautiful performance and also relevant given recent events in racial justice. If you would like to take notes, you can also use my free resource, Dance Appreciation Observation Log to help ensure that you remember what you saw for later reference. 

Recommended Reading: Elements of Dance: review theory about the diverse uses of The Body, Action, Space, Time, & Energy in all dance forms.

Recommended Listening: Finding a Grounded State of Being Podcast; Yummy Gentle Yoga for Dancers, Balletlicious Summertime Dance, & Micro Workout playlists on Spotify to accompany training, improvisation, and choreography sessions.

Week One Basic Daily Schedule

Day 1: Ankle Alphabets (3:15), Planking Pleasures (5:51), & Push It Up! (4:02) [13 minutes total]

Day 2: Ankle Alphabets (@00:47-2:30), Planking Pleasures (@2:38-5:34), Push It Up! (@1:33-3:45), & Tasty Tricep Dips (3:14) [11 minutes total]

Day 3: Ankle Alphabets (@00:47-2:30), Planking Pleasures (@2:38-5:34), Push It Up! (1:33-3:45), Tasty Tricep Dips (@1:06-3:14), & Jelly Jumping Jacks (8:38) [16 minutes total]

Day 4: Ankle Alphabets (@00:47-2:30), Planking Pleasures (@2:38-5:34), Jelly Jumping Jacks (@5:58-8:22), & Buoyant Bridges (8:27) [16 minutes total]

Day 5: Ankle Alphabets (@00:47-2:30), Planking Pleasures (@2:38-5:34), Jelly Jumping Jacks (@5:58-8:22), Tasty Tricep Dips (@1:06-3:14), & Luscious Lunges (4:45) [15 minutes total]

Day 6: Ankle Alphabets (@00:47-2:30), Planking Pleasures (@2:38-5:34), Jelly Jumping Jacks (5:58-8:22), Buoyant Bridges (@5:44-8:09), & Scrumptious Squats (4:23) [15 minutes total, or simply rest over the weekend!]

Day 7: Planking Pleasures (@2:38-5:34), Jelly Jumping Jacks (5:58-8:22), Push It Up! (@1:33-3:45), Tasty Tricep Dips (@1:06-3:14), Luscious Lunges (3:20-4:25), & Scrumptious Squats (@2:56-3:41) [12 minutes total, or rest over the weekend!]

Please note that once you have watched the instructional portions of each video and learned the exercises, you can skip ahead on subsequent days to the practice part of the video or just practice the movements with music. In this way, the basic program doesn’t require more than 15-20 minutes per day although new skills continue to be added.

Make it your own!

I hope you enjoy sharing in my very first “Adaptive Adult Summer Dance Intensive!”

Stay tuned for Week 2, where we will be building a solid scaffolding for dance, developing a centered state of being and igniting the Fire Element, utilizing the Elements of Dance (The Body, Space, Shape, Action), discussing Dance Criticism, practicing yoga for energy & building our dancing vocabulary.

Meanwhile, let me know what your dream “Summer Dance Intensive” looks like! Tell me about your dancing and movement needs, and how I can support you in adapting a training program to achieve your goals. Send me an email or contact me here on the website or social media.

A Blythe Coach: Dance Education & Coaching 
move through life with balance, grace, & power
A Blythe Coach on Facebook & Instagram
Convertkit Commerce Unlimited Online Monthly Ballet & Yoga Classes 
Tanzschule Tanzraum Cologne, Germany 

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

2021 Goals 6-Month Reflection and Re-Set

It’s unbelievable, but we are already 6 months into 2021, and I relish reflecting on half a year of learning and growth around the same time that I celebrate my birthday in June. This year has had its share of challenges as well, and it’s also an opportunity to contemplate grief and growth. I personally have attended two funerals already in 2021, having lost a friend at the end of 2020 and my girlfriend’s grandma in January.

Mining the lessons and gems in it all. 

I find it important to look back and celebrate wins in Quarter 1 & 2 and strategize what’s missing, what can go, and what to recommit to creating in terms of habits, action steps, plans and milestones.

Today in episode 57 of the podcast and the blog, I’m sharing an update on my results from the first half of the year and planning for success in the next 6 months. 

This is an update to Podcast 032: Theme, Vision, & Project Planning for 2021, the 2021 Theme, Goals, & Vision Blog, and the Stand & Objectives for 2021 YouTube Video. In those I shared my objectives for the year and here you’ll see how it’s actually going!

Here’s my 6-month check-in in podcast form

Year Theme & Big Picture

I wanted to start by revisiting this year’s theme and my big-picture life Purpose, Essence, Mission, and Vision of what I am up to. In this context, I can evaluate whether each of my individual goals for the year still make sense along with looking at my results so far. Actually, it’s helpful for me to review these elements regularly to make sure my actions are in alignment and to help prioritize my time and energy. 

Stand for 2021: Abundance & Contentment / Reichtum & Zufriedenheit; overall, my sense of satisfaction is high thanks to the strength of my mindfulness and gratitude practices, and I am so thankful that I have weathered the pandemic with my health and grown in the process. I feel happy and thankful and am at the same time always learning, growing, and improving.

Purpose: Joy; Essence: Buoyant, Creative, Curious, Love, Leader 

Mission: to inspire and equip dancers and liberated citizens

Vision: supporting students/clients/colleagues/community to live extraordinary lives through dance and yoga education and coaching

Monthly Themes

Starting Strong in January

This month was about visioning, starting new goals & consistent habits which included a monthly increase in the daily duration of my meditation to reach 20 minutes this year, daily poetry, etc. Right away these goals were challenged, as I attended two funerals that month, having lost a friend at the end of 2020 and my girlfriend’s grandma in January.

Self-Love February

My focus in February was celebrating love in all it’s forms, Valentine’s Day, and especially self-love and care. This consisted of Artist’s Dates, Creativity, practicing childlike wonder, as well as at-home spa fare such as Face masks, Mani-Pedis, & Bath Bombs.

Minimalist March

In march I played the Minsgame with paper clutter, etc. and also worked on some other exciting projects that I hope to be able to share with you soon.

Move Your Body Minimal Fitness April (+Poetry +Letter-Writing)

In April I focused on Minimal Fitness, Cross-Training, Physical Therapy; also some Spring Cleaning (windows, fridge…), reading and writing poetry, and correspondence (April is National Poetry Month and National Letter-Writing Month in the US and I like to celebrate both).

Healthy Eating May

May was a great time to revisit my eating habits and maximize fresh fruits and veggies and nutrients for energy and healing, including making Smoothies all the time and Jar Salads.

June: Open back up for my 40th Birthday!

Enjoyed a wonderful celebration of my life so far here in Cologne and in the Ahr Valley, did lots of reflecting, created a playlist, and partied down! Renewed German Work Visa (for 2 years!). I also got vaccinated for COVID-19 to protect myself and others.

Celebrating the fruits of our efforts (fresh cherries in this case!)

Results Q1 & 2 (What Happened with my Projects)

Wins/Glows

  • Renewed my US Passport from abroad (what a process!) in May, prior to its November expiration date, due to needing it to exceed my work visa
  • Granted a 2-Year Arbeitsvisum (Work Visa) in June
  • YouTube: 36 Videos, 68 subscribers (+37), 4,100 Views, 120 hours of Watch Time
  • Blog: published 24 blogs, got started on SEO tracking and metrics to optimize
  • Podcast: Hit one year as a podcaster, produced 52 podcasts in the year (57 total), 230 total plays
  • Teaching online, now resumed live & hybrid teaching
  • Social Media: producing “Monday Messages” consistently, enjoy creating an aesthetically attractive feed with photos and inspiring quotes, 317 Facebook page likes, 71 IG followers THANKS to those of you who have been following me on Facebook, Instagram, YouTube, the Blog and the Podcast: it means a lot!
  • German A2.2 Completed with Lingoda in May, now nearly complete with B1.1, finished Duolingo German Tree (working on “Legendary” to keep in practice)
  • Financial Plan – not yet meeting all targets, but I’ve been seeing slow growth and tracking income, seeing some increase in teaching this summer as we come out of quarantine, but will keep up social media marketing, pursuing opportunities as they present themselves
  • Reading Challenge – ahead, 22 books read out of 30 and I have so so many more that I want to read in the next 6 months! If you use Goodreads, I’d love to be connected there, and I’ve recently become addicted to Readwise (30-day free trial), which I’ve found to be a fantastic tool to review past reading, keep learning fresh and tag topics for future reference
  • Writing & Publishing – Blog writing consistently, Haiku Challenge & Blog on-track, still undecided what to publish first and when
  • Yoga Practice & Study, Ayurveda, Adaptive Yoga, Chakras, Alchemy & Elements
  • Fitness & Cross-Training – I’ve been pretty consistent PT & mini-workout (yay!), but no progress on Pull-Ups or Handstands
  • Meditation Challenge & Study – Participated in a Deepak Chopra 21-Day Program, July is 19 minutes per day, August 20 and then I will maintain that going forward
  • Poetry – I have written 177 Haiku Poems for my daily challenge this year and will keep going, as well as learning about other poetic forms and reading new selections
  • Music – taught myself “Hawaiian Lullabye,” started working on learning “Danny Boy” on Harmonica
  • Spirit & Magic – the yoga and meditation practices above, purposeful work, reading the Bible and Quran, prayer practice on track (behind if I want to finish the Quran this year, but I’m ok going consistently slowly), weekly Tarot card pull, started work on Magic Wand, Full Moon crystal charging, monthly altar decoration
  • Friendship & Love Letters – I’ve been pretty intentional lately about reaching out to loved ones (though it can always improve), but I’ve been letting my written correspondence slide
  • Fun, Festivity, Recipes & Food – strong in this area! Meals together, pick a new dish to try each month (salads, goulash, corn soup…), Artist’s Dates and treats, crafts, Feierabends together with my girlfriend, restaurants & cafes when open in June, epic birthday celebration (still want to celebrate with my family in-person and travel more soon)

What’s Missing/Grows & What’s Next

Therefore I have identified areas of growth as business/financial/savings, getting my German driver’s license, traveling and supporting my family (ok fair, it’s been pandemic and I’ve been trying to get established in a new country, but still an important goal), growing my audience so that more people can benefit from my offerings (it IS growing, but slower than I expected), increasing my know-how on book publishing (writing itself is progressing), writing more letters, and building in practice for Pull-Ups and Handstands.

Now that my work visa has been extended, it’s time to get serious about studying for my German Driver’s License. I’ve got an app to help with the theoretical part, and will schedule First Aid, the Eye Exam, Theoretical, and Practical portions, but not likely this summer. Goal of Fall.

My crochet hobby for Artist’s Dates/Creativity/ was great in the winter, but is definitely more fun in the cooler months, so will officially drop it now, possibly resuming in October.

Letter-Writing is something I love but procrastinate on anyhow. Something is missing in my system here, so I will work to make it a habit. I am also reading the book I Want to Thank You: How a Year of Gratitude Can Bring Joy and Meaning in a Disconnected World by Gina Hamadey as inspiration.

I haven’t been practicing my Pull-Ups, but still really want this skill! Will hang from my pull-up bar as I pass, and try out the variations in the video Your First Pull-Up from Lucy Lismore.

Like Pull-Ups, I have dropped the ball on Handstands, but I want to be able to perform this skill freestanding. Currently I have no problem holding a handstand against a wall, but will work on variations from the video Learn how to Handstand to improve.

Will revisit my targets to keep them SMART and Futurable, build out my project plans and accountability for the next 6 months, celebrate milestones along the way, and keep going creating content, value, and sharing my process!

Related resources

What are you creating in 2021?

  • I’m curious to know, how are you doing so far in 2021? 
  • What goals and projects did you decide upon in January, and where are they now? 
  • What will you continue, re-commit to, or strategize to succeed in?
  • What are you willing to simply let go?

Let me know by email from my website, or on the Facebook Page!

Blythe C. Stephens, MFA
she/her or they/them
A Blythe Coach: Dance Education & Coaching 
move through life with balance, grace, & power

Rollercoaster of Dance: Traveling Through Undercurve & Overcurve Pathways

Like an exhilarating ride on a rollercoaster, or if you prefer, a wave, dancers ascend and descend, sink, scoop, and rise, following or leaving a pathway in space. It can be quite a thrill even at a low level of risk!

Our clarity about the described pathway in space, whether it be an scooping undercurve or arcing overcurve, affects our accuracy in performing dance steps and the impression given by our choreographic expression.

In my recent blog on Space and Focus, “Approaches to Space: Qualities of Focus in Dance & Life,” we distinguished between the Effort of Focus and the role Shape plays in movement, with help from a quote by Cecily Dell:

“The elements of indirectness and directness are often confused with certain aspects of movement shape, namely directional and shaping movement. While the effort qualities are concerned with the kind of concentration or focus in space, the shape aspects of movement are more related to pathways and forms the body parts create in space.” (A Primer for Movement Description p.30, emphasis mine) In the “Shapeshifting Dancers: Forms & How We Get There” blog I discussed types of forms, and ways we move into and through them in ballet and dance. Here and in Episode 56 of the Podcast we’ll delve into two specific pathways that we often travel in space, so-called undercurves and overcurves.

The audio version of this blog is episode 56, scroll down the blog for more resources

“Undercurve” and “Overcurve” are terms mostly used in movement description (i.e. Laban Movement Analysis) and modern dance, but I also use them in teaching ballet technique because they clarify the path the steps travel through space and you will find the concepts are applicable to all movement forms. 

Whether sliding, stepping, or jumping, every movement that transfers weight, travelling from one place to another, will either remain at the same level or change levels, often following an over-curving or under-curving pathway in space. 

As modern dance innovators Alwin Nikolais and Murray Louis distinguish in The Nikolais/Louis Dance Technique: “Remember that in the undercurve, the transfer of weight is always in low level. In the overcurve, the transfer is always in high level.” (Location: 3,747) Let’s elaborate on the differences in action, timing, and pathway between the two types of travel.

Undercurves Described

Illustration of a single undercurve and a string of undercurves, like drawing waves

Under-curves start at a high or mid-level, sink, travel (transferring the weight on the ground), and then rise again, forming a “U”-shaped pathway in space. Performed in succession, this creates a scalloping path, like the waves of the sea in a rudimentary drawing. 

According to Nikolais/Louis, “The undercurve is conceived as the lower half of a sphere. It is a continuous half circle. The locomotion of an undercurve involves a triple action of the leg: plié—transfer of weight—lift.” (The Nikolais/Louis Dance Technique Location: 3,664) They emphasize skill in flexion and extension of the knee, “The fluidity of the flexing knee is the technical basis of both the undercurve and overcurve forms.” (The Nikolais/Louis Dance Technique Location: 3,665)

Try out some under-curves with me with the video that follows:

Amazing Undercurves – dance warmup for contemporary & ballet” YouTube video

Overcurves Described

Illustration of a single overcurve and a string of overcurves, like rolling hills

Over-curves start at a low or mid-level, rise, travel (transferring weight in the air), and then sink again, forming an inverted “U” or “n”-shaped pathway in space, creating a scalloping pathway, like that of rolling hills in a rudimentary drawing. 

Nikolais/Louis elaborate on movement possibilities from overcurves and undercurves: “The overcurve is the basis of the leap, just as the undercurve is the basis of the skip. Consideration is given to the upper curve of a circle. The action involves going up and stepping over.” (The Nikolais/Louis Dance Technique Location: 3,726) They break down the overcurve step by step: “overcurve leg action is also in three parts (not three counts): Standing leg rises to high level. The other leg lifts and steps over the curve of the circle. It lowers into pliée [sic] weight is transferred.” (The Nikolais/Louis Dance Technique Location: 3,739) 

I particularly enjoy how Nikolais/Louis express the emotional requirements and impact of leaping overvurve movements: “‘Taking the air,’ being confident in the air and conscious of the space and leap action, is the motional fulfillment of the leap movement.” (The Nikolais/Louis Dance Technique Location: 3,762)

We can certainly practice over-curve and leaping motions in a controlled, small, incremental way at first, but it is wonderful to keep in mind the ultimate potential intent of soaring through the air as we develop skills and strength.

Timing of Under- and Over-curves

As well as taking different pathways in space, there are rhythmic and timing differences between the two actions as well, as Nikolais/Louis explain: “Undercurves are the basis for the quicker skip action, which has a three-eighth time value. However, the three-quarter undercurve waltz time needs to be carefully controlled so that the movement does not linger and become sentimental. […] dancer also should not confuse it with the step hop, duple time, which beginners will often substitute for the triple time undercurve skip.” (The Nikolais/Louis Dance Technique Location: 3,673-4, emphasis mine)

Nikolais/Louis also note the inherent challenge in lingering in the air and the impact that has on the rhythm of overcurves: “It is difficult to sustain the overcurve transfer of weight. The count becomes a duple so that a phrase of undercurve. undercurve, overcurve, overcurve, overcurve would count out as 1-2-3, 1-2-3, 1-2, 1-2, 1-2.” (The Nikolais/Louis Dance Technique Location: 3,729)

Technique notes for Under- and Over-curves

A clear change of level is necessary to describe undercurves and overcurves in space, and beginning dancers may need to exaggerate the level change to make the patterns clear. Nikolais/Louis stress the technical and physical requirements of controlling undercurve and overcurve actions:

“This triple action of the knee and leg must become automatic and smooth. The flexibility of the leg in the descent will help enormously in preparing for descending from air work.” (The Nikolais/Louis Dance Technique Location: 3,671)

Additional reminders for performing overcurves include that the “leading front leg lifts immediately to describe the overcurve form by stepping over, lengthening, and reaching downward and out of the hip for its next …” (The Nikolais/Louis Dance Technique Location: 3,731) and, “Lifting the straight back leg while in the air before the descent can sustain the air height longer.” (The Nikolais/Louis Dance Technique Location: 3,763) Try these ideas when you’re ready to go for more air time!

Under- & Over-curves in Locomotion

As I elaborated on in my Do the Locomotion OR Walk Like a Dancer: walking, running, & other techniques of travel Blog, Nicolais/Louis use the concepts of undercurves and overcurves as well as approaches to time to describe the basic variations of traveling or locomotor movements in dance:

Walking: transferring weight evenly from leg to leg on a level path.” 
Hopping: locomotion on the same leg, transferring the weight in the air to the same leg. Transferring the weight through an undercurve or overcurve.”
Jumping: locomotion on two legs. Transferring weight to both legs. Full turns in the air, landing and pushing off from both legs.”
Leaping: transferring the weight from leg to leg in the air. Creating a long, horizontally level path as opposed to an overcurve. The different leaps vary in their character of traveling through the air.”
Skipping: as opposed to a ¾ undercurve, skipping can be a duple or a ⅜ rhythm with emphasis on the push off to upward instead of low transfer of weight.” (The Nikolais/Louis Dance Technique p.95, emphasis mine)

Examples of Under- and Over-Curves in Ballet

Under: Temps lié, Balancé, Chassé, Temps levé

Over: Pas de Bourrée, Pique, Soutenu, Soubresaut, Glissade, Pas de Chat, Grand Jeté, Saut de Chat

Chassé – Undercurves
The Chasing Chassé – Sliding transitions in Ballet” YouTube Video is an example of undercurves in ballet technique and a great basic traveling jump

Chassé: “to chase,” as in a cat-and-mouse game between the two feet, one getting away and then the other coming after it. We practice two types in ballet technique, both demonstrated in the video above:

Chassé À Terre: slides along the floor in a “U” or scalloped pathway (down, across, up) to an open shape, then closes again; from a closed 3rd or 5th position, sinking into Plié, transferring the weight into an open 2nd (side) or 4th position (forward or backward), then stretching the legs in the new position or sliding to assemble them in a closed position again.

Chassé with a Sauté or jump: slides along the floor to an open shape, then closes again with a spring; from a closed 3rd or 5th position, sinking into Plié, transferring the weight into an open 2nd or 4th position, then stretching the legs into a jump and assembling them in a closed position in the air, and landing on both feet again.

Pas de Chat – Overcurves
The Pouncing Pas de Chat – Catlike Leaping in Ballet YouTube Video is an example of overcurves in ballet technique and a great basic leap

Pas de Chat has a catlike leaping effect, jumping off from one foot and landing on the other, also like a cat-and-mouse game. As with all jumps, it begins with Plié (low level) and rolls through the feet on take-off and landing. Pas de Chat travels sideways, and can be practiced in parallel before moving on to turned-out or externally-rotated position.

Leading with the leg facing the direction of travel, which is typically in back in 3rd or 5th position when turned out, the foot pushes off to Passé / lift the thigh to Retiré, then springing with the following foot to create a brief diamond shape in the air, landing on other foot in Retiré and then closing to Plié on both feet again.

Further Ballet practice videos:

Blogs + videos on dance theory & practice:

I hope you enjoyed exploring the concepts of undercurves and overcurves in ballet and dance today, as well as practicing the steps of Chassé, Pas de Chat, and more. Let me know whether you prefer an under- or over-curving pathway while dancing or observing dance in performance!

Blythe Stephens, MFA
she/her or they/them
A Blythe Coach
move through life with balance, grace, & power

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

Reflective Practice Through Journaling in Dance, Yoga, & Life

As my birthday falls in June (this year is an especially notable one), I like to reflect at this time of year, considering the last year in my life as well as the 6 months since the official New Year. I relish celebrating my accomplishments and plotting my next steps to progress with my priorities. 

We are enjoying the longest days of sunlight of the year here in Cologne, the harvest of the season, and for many, a time of rest, recovery, and recreation before the start of another school year. Maybe we have more space and time to reflect while taking a break from our usual responsibilities. Or perhaps we can take a moment to reflect even in hectic times, to appreciate our progress and plot our course.

Cologne and many places around the world are “opening up” again this summer following pandemic shut-down, and that’s something to reflect upon as well in order to make intentional choices going forward in our personal, professional, and creative lives. Writing and journal-keeping is one of my most trusty forms of reflection, processing, and awareness, and I am grateful the practice allows me to access my own wisdom over time.

The Podcast version of this week’s blog is 055: Journaling & Reflective Practice

In my blog on Artful Archiving, I shared: “I may not be a Beethoven-caliber genius, but I too work with a similar notebook system to anchor me in the midst of whatever chaos may come in life. No matter how much I digitize, I find for me much creative work must exist, at least at some stages of its development, in analog. So I have a daily diary, a bigger bullet journal of weekly, monthly, and longer-term planning, notes, and brainstorming, and yet another notebook of various ongoing professional projects and notes. At some point, the most important projects then are archived as Evernote notes, with photos, music, articles, and other relevant links attached.” 

In addition to these journals, I also now keep daily morning pages, which I will discuss further below, but I have not always followed this system.

All of my personal journals, aside from morning pages and academic notes

My personal writing practice

My own journaling rituals reflect a lot of experimentation and evolution over time. I used to only write during difficult or dramatic times (aside from my academic work), whether it be journaling, creative writing, or poetry. I usually didn’t manage to write as often in happy or stable times.

In general I waited for the muse to strike and didn’t yet write daily or even weekly, which resulted in ended not writing often, resulting in epic hours-long catch-up sessions, some of which would end abruptly. During these early years, I struggled with inconsistency, though I aspired to be a regular writer. 

My first attempts at becoming a diarist started in 1991, with my awesome early-90’s strawberry-print journal.

Funny story about that first diary: when I moved out from one apartment in Portland, apparently it had fallen into a nook by the built-in bookshelves, and was missing until it was returned to me by mail. I found out that a young girl had called my parents’ house (that’s why to always list “if found” contact info!) to track my address down and mail it back, including a letter and photos of herself, as her father, the maintenance man had found it, and she had read it! I was a mix of deeply grateful to get it back, embarrassed at what I had admitted in writing, and touched that she found things in common with my childhood self shared in it’s pages, such as a love for dance.

I am pleased that I have done quite a good job of keeping Travel Journals to record international and domestic (AT hiking, cross-country road-tripping…) tales of adventure. Outside of trips and vacations, I kept a journal, with gradually-increasing consistency through my school years, early professional life, and graduate school. Now I can finally say that I am a daily diarist, with anywhere from a few quickly-jotted lines to pages to show for each day.

In case I am so lucky to enjoy nostalgia in my old age, and if anyone else cares to know, I would like to record my intimate story of what transpired. My personal writings also inspire me to create other works, projects, personal, professional, and creative breakthroughs, and in order to leave a legacy.

Current Journal Ritual

I use my journals and notebooks for everything, from the mundane but important List-Making bullets necessary to keep track of the minutiae of life and for critical reference and tracking, Brain-Dumping to process an overload of experiences and ideas, Brainstorming to strategize and understand the big picture, Note-Taking to learn and prioritize. Through practice, I have experienced how Journaling helps provide clarity about what is (what happened, what’s missing, what’s next and other tools) and vision of what I want to create, experience, and share through my life.

I have used Reflective Practice as both a student and educator, with my own students, including simple tools such as daily wins or “Glows & Grows,” up to very sophisticated exercises and prompts. In daily life I now journal to record Gratitude, Abundance, Inquiry, Creativity, and for therapeutic applications, in my Relationships to self and others.

Reflection and journaling is always the first step for me when I am designing my Roadmap/Project Plans for the short-, medium-, and long-term. Keeping a journal and well-archived notes also allows for accountability through follow-up and checking in on milestones and related habit-building.

Types of Journal Practices

There are an infinite number of possible motivations and personal benefits to journaling and reflection. In fact, in the book Living a Beautiful Life, Alexandra Stoddard writes: “People who keep a daily journal do it for diverse and private reasons. Just as it is possible to gain more control over your life by developing meaningful rituals, so too, keeping a regular diary helps you know more clearly what your thoughts and feelings are, because you’ve written them down–have put them into words. You learn, by recording your thoughts and pleasures. A diary helps build up the muscles of your personality. For the modest amount of time and discipline it takes to keep a diary, the rewards are tremendous. In truth, those of us who keep diaries cannot stop. Once I’m in the flow I must keep up; like breathing out and breathing in, writing in my diary is a daily ritual. It helps me keep track of myself and my life, and thereby live more deeply and fully.” (p.33)

Clearing away superficial needs and tasks from our minds, such as making lists so that we don’t have to focus on keeping track mentally, reduces stress and frees the brain for higher-level decision making and creativity. Even simple, “entry-level” journaling practices can have a profound impact can include quick gratitude lists, task to-dos, shopping lists, daily or weekly, priorities, ideas that come in dreams or waking thoughts, and accountability trackers for habits we’re working on. Write it all down!

Expanding to the next level, so to speak, we can use journaling to flesh out our visions as they come to us, set long-term goals and conditions of satisfaction, process challenging situations, make distinctions and work with context, analyze, critique, navigate breakdowns, come up with creative solutions, and fuel our personal expression. Journaling is indispensable to therapy, be it physical or psychological, coaching, and educational contexts. Anywhere you want to grow, reflective practice is there to assist.

Therapeutic Journaling 

Kathleen Adams’ article, “A Brief History of Journal Therapy,” which first appeared in The Illustrated Encyclopedia of Mind Body Medicine in 1999, indeed provides a concise summary of proven uses for journaling in therapy as well as in other educational contexts. Although I didn’t need more convincing of the powers of reflection for mental and psychological well-being, Adams reports physical affects that I found a bit surprising:

“Probably one of the most common reports from people who write journals is that the act of putting thought and feelings on paper helps give useful emotional and mental clarity. However, there is scientific evidence that the relief that comes from writing things down is more than just psychological. Dr. James Pennebaker, a researcher in Texas, has conducted studies that show that when people write about emotionally difficult events or feelings for just 20 minutes at a time over three or four days, their immune system functioning increases. Dr. Pennebaker’s studies indicate that the release offered by writing has a direct impact on the body’s capacity to withstand stress and fight off infection and disease.” (p.1)

Educational Reflective Practices

As an educator and coach, I have used different types of journaling and reflective practices with hundreds of students and clients over the years. This is in the tradition of responsive journaling practices which Kathleen Adams explains were becoming more widespread around the time of my birth:

“In the 1980s many public school systems began formally using journals in English classes and across the curricula as well. These journals, often called “dialogue” or “response” journals, offered a way for students to develop independent thinking skills and gave teachers a method for responding directly to students with individual feedback. Although the intention for classroom journals was educational rather than therapeutic, teachers noticed that a simple assignment to reflect on an academic question or problem often revealed important information about the student’s emotional life. Students often reported feeling a relief of pressure and tension when they could write down troubling events or confusing thoughts or feelings.” (p.1)

How wonderful to benefit from these educational innovations in academic life, as well as professional and personal applications. As an educator, I foster a student-centered, emancipatory approach to learning, so of course reflection and self-awareness are constant companions.

Dance & Reflection

Sometimes dance is approached from a purely technical or “practical” perspective, but I find it far more impactful on the life of the whole person when theoretical and reflective perspectives are included. In the Journal of Dance Education article “The Dancer as Reflective Practitioner: Is it possible?” Sherrie Barr agrees. Barr explains the pedagogical controversy: “The dichotomy between theory and practice within dance education is a reflection and expression of the same tension that has characterized the question of liberal education in the 20th century. Should liberal education encourage the development of a reflective and critical sensibility, or should it be subordinated to vocational and pre-professional training?” (p.60)

Barr goes on to argue for students to experience the fullness of what the subject of dance can offer: “Dance is as much a participatory and historical art as it is a living art form which dialectically engages, as it always has, the larger culture of which it is a part. As such the teaching of dance must provide challenges and opportunities, engaging students in the full discipline by connecting diverse theoretical ideas to their movement investigations. As students become aware of themselves as reflective practitioners within dance, they can become aware of dance as simultaneously a performance art, a cultural practice, and a venue for scholarly investigation.”  (p.64)

This is incredibly empowering! To provide one example of regular engagement in reflective journaling in a dance technique context, I’d like to share the Evaluative Log I use for university-level classes, inspired by one shared by my colleague at Leeward Community College, Alex Durrant. Simplified versions of this type of log can be used with younger students as well. The Evaluative Log consists of four questions:

  1. What did we do in session today? What vocabulary was used and what does it mean? What exercises did we cover? Did we create a choreographic sequence today? Can you remember it? If so, can you describe it with the correct vocabulary?
  2. What were you confident with and what did you do well today? Give yourself full credit for your achievements, tell me about your personal triumphs and what that means to your progress! Does it mean you feel ready to challenge yourself further?
  3. What were you less confident about today or would like to work on more? How can you improve your skills in this area? What exercises do you need to practice? What muscles need to get stronger? How will you keep trying to achieve your personal goals?
  4. What are your targets for next session? What will you strive to achieve next time we are in the classroom? What do you need to do to get there? What do you need your teacher to do? — If you want me to work on something specific never be afraid to ask! Remember to keep your targets SMART (see also, “Futurablility for Objectives” Tool):

Specific
Measurable
Achievable
Relevant
Timely

Creative Growth through Reflection

Growth in Creativity can be another wonderful outcome from regular journaling, as it provides an outlet for the flow of expression and inspiration whether it be poetic, novel or short fiction-writing, nonfiction writing, choreographic, pedagogic…the tactic proves effective for the whole spectrum of topics and styles.

Daily writing is stressed as a component of the incredibly popular The Artist’s Way 12-week program by Julia Cameron, although countless artists and creative people of all types, not just writers, have found it effective.

An exercise Cameron describes in Week 1 goes like this: “Every morning, set your clock one-half hour early; get up and write three pages of longhand, stream-of-consciousness morning writing. do not reread these pages or allow anyone else to read them. Ideally, stick these pages in a large manila envelope, or hide them somewhere. Welcome to the morning pages. They will change you.” (The Artist’s Way p.96)

Keep in mind that Cameron doesn’t suggest that we look back at these sorts of preliminary brain-dump free-writes until Week 10, when she finally directs: “Read your morning pages! This process is best undertaken with two colored markers, one to highlight insights and another to highlight actions needed. Do not judge your pages or yourself. This is very important. Yes, they will be boring. Yes, they may be painful. Consider them a map. Take them as information, not an indictment.” (p.291)

Cameron further recommends a 3-step process for getting the most value from re-reading our morning pages, a good guideline for review of any personal writing, I find:

Take Stock: Who have you consistently been complaining about? What have you procrastinated on? What blessedly have you allowed yourself to change or accept?

Take Heart: Many of us notice an alarming tendency toward black-and-white thinking: ‘He’s terrible. He’s wonderful. I love him. I hate him. It’s a great job. It’s a terrible job,’ and so forth. Don’t be thrown by this.

Acknowledge: The pages have allowed us to vent without self-destruction, to plan without interference, to complain without an audience, to dream without restriction, to know our own minds. Give yourself credit for undertaking them. Give them credit for the changes and growth they have fostered.” (p.291-2)

Spine of Creative Work with The Creative Habit by Twyla Tharp also talks about ways to identify or re-connect with what she calls the “spine” of our creative work:

“You can induce it with a ritual. I know a lawyer who has a useful gambit when questioning his clients: Whenever he hears a muddled explanation, he holds up his hands to silence the speaker and says, ‘Okay, explain it to me like I’m ten years old.’ That simple instruction, perhaps because it floods people with memories of a simpler time, gets them talking with clarity and purpose. That’s what the spine is to me: It’s my explanation to myself as if I’m ten years old again.” (The Creative Habit p.148)

Keep this in mind the next time you get lost in explanation or decision-making, explain it as if

“You can also discover the spine by recalling your original intentions and clarifying your goals. What was the first thing you dropped into your box for the project? Go back to it and remember how you started–that’s what it’s there for.” (The Creative Habit p.148)

Yoga & Compassionate Self-Study

Reflection is a natural component of yoga and meditation practices, and in the book Yoga Where You Are by Dianne Bondy and Kat Heagberg, they included a whole chapter to it, saying: “We’ve found regular journaling to be a powerful practice. We like to use questions or prompts, or you can also free-write.” (Location: 3,626)

Bondy and Heagberg provide helpful guidelines for starting a daily practice of journaling as compassionate self-study: “Journaling doesn’t need to take a long time to be powerful. Try writing what comes to mind—even for just two minutes or longer if you’re so inspired. There is no need to edit yourself or judge what you write. See what flows. As with meditation, we recommend setting an intention to choose a time of day and making a commitment.” (Yoga Where You Are  Location: 3,627)  

If you find writing from a chosen question or topic helpful, consider these prompts for compassionate self-study from Bondy and Heagberg:   

  • “What am I grateful for? (This is a great one to try every day!)                
  • What is my intention for today? What is my affirmation? (This is a great one to try every day!)         
  • What am I feeling right now? Is it my breathing, my clothes, my emotions?                
  • What are my core values? Do my core values align with my actions and feelings around the things I love to do?                
  • How do my thoughts align with my actions and words?                
  • What stories am I telling myself? Are they true?                
  • How will I care for myself today?                
  • What will I do today that makes me happy?                
  • What feelings do I want to create in my life? Who will I share them with?
  • What do I celebrate about myself right now?
  • How is my yoga practice going? How is meditation going? Any reflections or realizations?
  • What inspires me?                
  • What can I release?” (Yoga Where You Are  Location: 3,631-3,649)

Meditation Journaling

Buddhist monk Nick Keomahavong, recommends “5 Transformational Journal Ideas” in his YouTube video by that name. The types of journaling he discusses are keeping a Gratitude Journal (a daily practice that has made also made a difference in my life and for countless others), The Good You See in Others which is a beautiful practice that can help improve our relationships, a Shadow Journal exploring all sides of our identity, a Venting Journal (one of my favorite uses for reflective writing over the years, so that I can sort out my emotions before I get them all over someone else), and a Meditation Journal.

For meditation journaling purposes, Keomahavong suggests we record the following information after each meditation session:

  • Date
  • Amount of Time
  • Experience in meditating
  • Draw inner experience
  • What steps did you take
My little daily journal notebook, teaching notebook, bullet journal, and current morning pages notebook

Choosing Journaling Tools & Timing

Here are a few more tips on getting your journaling practice started or reviving a dormant writing habit. I suggest that you use what you have and don’t let materials become a barrier to immediately starting or resuming a written reflective practice. But there is something to be said for having your preferred supplies on hand to facilitate your continuing the practice.

Personally, I have found that the size of the paper/notebook matters. I discovered that I’m most likely to maintain daily journaling using a very small book for daily thoughts. This way there is no pressure to go on and on and fill the page, instead each page gratifyingly fills, leading to the next. When my daily journal pages have been too large, or the book is too thick, it’s not portable enough as well as being psychologically daunting for me to get started, creating a barrier to daily practice.

Then I use a medium-sized journal for planning and tracking or bullet journaling longer-term, and an even larger book for brainstorming and art journaling and really big picture or long-term projects which yearn for space to spread out. Find the right entry-point that is inviting and encourages regular practice and you are bound to develop your own beautifully personal system.

Alexandra Stoddard too has ideas to help establish your personal reflective practice: “Two things help in keeping a journal. First, choose a type of notebook or blank book that pleases you; second, set aside a time each day when you can settle down and write in it.” (Living a Beautiful Life p.33-4)

Stoddard encourages each individual to consider a variety of factors in selecting a journal: “The size, cover, smell of the notebook, as well as the color of the paper and its smoothness–these details matter; the more pleasing they are to you, the more likely it is that you will stick to the journal ritual–and enjoy it. Each diarist has to feel his or her own way at first, and then a system will eventually establish itself. Once you find a type of notebook you feel comfortable with, stock up on them–choosing the right journal is the important first step.” (Living a Beautiful Life p.34)

When it comes to the timing of your entries, you can take Cameron’s advice to start first thing in the day as you jump out of bed, or take after Stoddard and find a time and place that works for you: “After you have your blank book, pick a good time of day to write in it. […] I can even write on a bus or plane now–once you have the habit, you can do it anywhere; at first, though, I needed a ritual place, and time to be alone, to write. Be alone if you can, because it will make you less inhibited and more able to relax totally, to daydream and fantasize–and to hear what your subconscious might have to say.” (Living a Beautiful Life p.35)

Drawing is great, too! Visual note-taking strategies for effective learning. There is support for physically writing out your journal as an analog practice, but if that absolutely doesn’t work for you for some reason, then try recording as voice-to-text, or typing, or whatever seems to work best for the way that you process information and learn. We are all individuals, and need to seek out our own best reflective practices. 

The questions we ask ourselves are important to the answers we will come up with, so let me know which of the recommended prompts or ideas you try out and how they work for you. I am planning future blogs on further provocative, “Socratic-”type questions, coaching questions and tools, and wisdom-access questions for fruitful inquiry.

A few other blogs and videos on related topics of self-awareness, learning, and growth include:

Meanwhile, why not get out your journal of choice now and start by recording your responses to the questions below? Then take a picture and share with me for acknowledgement and celebration!

  • What issue are you currently facing that could use some written processing?
  • What important projects that you are up to deserve some reflection?
  • What will you commit to in terms of journaling or reflective practice this week?

Blythe Stephens, MFA
she/her or they/them
A Blythe Coach: Dance Education & Coaching 
move through life with balance, grace, & power

Shapeshifting Dancers: Forms & How We Get There

What do a carpenter swinging a hammer, an office worker closing a drawer, a police officer directing traffic, and a ballerina’s storytelling have in common?

All of their movements are traveling through space in relationship to other objects (concrete or abstract), taking specific pathways with particular attitudes. The hammer arcs up and then down to meet forcefully with the nail, the drawer is pressed directly forward in a direct “spoking” motion, the police officer’s gestures stab and swoop through space indicating when to stop and when to go, and the dancer intentionally prescribes patterns in space on their way to dynamic shapes.

Today we are exploring some of the basic forms we make with the body in space, how we arrive there, and what the point of all this is in terms of dance technique, expression, and performance.

In my blog on Space and Focus, “Approaches to Space: Qualities of Focus in Dance & Life,” we distinguished between the Effort of Focus and the role Shape plays in movement, with help from a quote by Cecily Dell:

“The elements of indirectness and directness are often confused with certain aspects of movement shape, namely directional and shaping movement. While the effort qualities are concerned with the kind of concentration or focus in space, the shape aspects of movement are more related to pathways and forms the body parts create in space.” (A Primer for Movement Description, emphasis mine p.30) Here we’ll look more closely at these sorts of pathways and forms. 

In the book Making Connections, Peggy Hackney summarizes the key issues around shape with the following questions: “What forms does the body make? Is the shape changing in relation to self or in relation to the environment? How is the Shape changing–what is the major quality or element which is influencing its process of change?” (p.221)

Hackney also defines shape in terms of its intent as used in choreography: “An intent in Shape might include forming the body to reveal a particular ‘shape’ (for instance, a choreographer might choose an enclosed form, a ball shape, to depict someone who is turning inward); or changing the form of the body to bring about a specific type of relationship to other people or the environment (using spoke-like directional shape change when going toward a goal, for example); or reveal an investment in the process of shape change (rising when happy, retreating in fear, etc.).” (Making Connections p.43)

Basic Forms/Shapes

Speaking of the forms themselves, there are a few basic types of shapes listed below, as well as an infinite variety dependent on dance style and expressive intent. In ballet, there are clearly defined, named shapes that the body passes through and poses in, much too numerous to name here, such as the positions of the feet and arms and shapes with different orientations in space.

For more about use of space and the specific shapes we make in ballet dancing, I’m going to refer you to a few videos on my YouTube Channel:

Planes of Space & the Body
Ballet Orientations of the Body
Architecture of Arabesque

The following categories are helpful when thinking of shapes in general. That is, most shapes, whether inside the context of dance or out, fall under one of these main concepts. According to Hackney, “The most basic forms the body makes when it is not moving. ‘Still forms,” are: 
Linear, Elongated (Pin)
Flat (Wall)
Round, Spherical (Ball)
Twisted, Spiral (Screw)
Tetrahedral (Pyramid)” (Making Connections p.221)

Modes of Shape Change: Shape Flow & Directional Movement

More than just striking poses, the way we arrive there, molding and shifting the body is important in dance. This is where various modes or types of changing from form-to-form come in.

Hackney captures this distinction: “Fundamentals and Laban Movement Analysis stress investing in the changing shape from within as an expressive process. For instance, Spreading is different from simply arriving in a wide shape. Awareness of this sort is particularly important for dancers who seem to get stuck in trying to ‘make the right shape,’ but are not connecting internally to enjoy the forming process itself. These shape qualities or elements are also laden with personal emotional meaning for each individual, as are the Effort Qualities.” (Making Connections p.223)

Hackney goes on to discuss various possible modes of shape change that are possible depending on the mover’s orientation: “Mode of Shape Change reveals an inner attitude about changing the form of the body–whether the shape change is self-oriented or environment-oriented. This inner attitude need not be conscious to be operative.” (Making Connections p.221)

According to Cecily Dell, in A Primer for Movement Description, these modes ultimately breaks down to three basic varieties: “We will distinguish three kinds of change in the form of movement: 1) shape flow – where the form results only from changes within the body parts; 2) directional movement – where the form results from a clear path going in a direction in space; 3) shaping movement – where the form results from the body clearly molding itself in relation to the shape of space, whether in relation to the shape of space, as in it creates the shape of the space, as in dance, or adapts to it, as in many work movements.” (p.44)

This sort of movement analysis is relevant both to choreographic expression as well as interpreting the everyday movement attitudes of people on the street and in work and leisure contexts. I will elaborate on each of these three types and where we see them next.

Shape Flow: Body-Oriented Movement

Over all, and in contrast to directional movement which we will get into next, the concept of shape flow “…applies to movement in which the form is dictated by a concern with the relationship within the parts of the body, i.e., it is body-oriented, and is not concerned primarily with the space around the body.” (A Primer for Movement Description p.46)

Not commonly seen in ballet or other classical dances, but rather more easily observed in everyday, pedestrian movement and in some modern dance techniques, is the body-oriented movements constituting shape flow: “The most basic model for shape flow, when it is seen as growing and shrinking, is the inflation and deflation of the trunk in breathing. A breathing pattern which is full and continuous, without holding, promotes the flow of shape changes in the body.” (A Primer for Movement Description p.45)

In fact, Hackney asserts that “Underlying all shape change is the basic change in the body’s form which happens in the process of breathing. This baseline process of Growing and Shrinking is called Shape Flow Support.” (Making Connections p.221) This is the level to which we are attuned during the meditation and pranayama (breathing) techniques of yoga. We notice the subtle shifts and sensations of the breath and bodily functions in silence, and foster awareness and presence from the “inside” out.

As Hackney goes on to explain, “The other perspective from which one can describe shape flow emphasizes the limbs. In this case, a change in the flow of shape can be described as folding or enclosing toward the center, or unfolding, opening out from the center. The terms in and out or toward and away may be substituted if they are more appropriate.” (A Primer for Movement Description p.46)

Finally with regard to shape flow, Hackney describes how “Shape Flow is shape change which is about the mover and the mover’s changing body part relationships self-to-self. It creates a sensation that the movement is not ‘about’ making something happen in the environment at all, but is about ‘Me sensing my own body as I am within myself or the world–my own responses change my shape.’ An example is adjusting to get comfortable. Shape Flow brings access to self, the ability to be in touch with the ‘inner’ world.” (Making Connections p.222)

Directional Movement

In contrast to the shape flow mode of shape change, according to Dell, “Directional movement appears as the most basic form in which movement establishes a relationship to the surrounding space.” (A Primer for Movement Description p.49) Dell clarifies how we establish directional shape change in relationship to the larger world: “We learn about space by encountering the objects which define it. Things appear at various distances from us; they occupy the space in different directions from the fronts of our bodies; they occupy more or less space than our bodies do.” (A Primer for Movement Description p.49)

Hackney describes the goal-orientation of directional movements: “Directional Movement is location, or goal-oriented shape change. It creates a bridge to the environment, ‘I can change my shape in order to go out to someone else or the world.’ Directional movement can be either spoke-like or arc-like. For example, I can spoke my hand out from my waist to reach to shake someone’s hand or I can let my arm swing from my side to reach in an arc. With Directional Mode of Shape Change I am able to contact the world outside myself and accomplish specific tasks such as picking up a pencil, hammering a nail, or shooting a basketball.” (Making Connections p.222)

But in dance, the “goal” may not be a concrete one, as Dell explains: “In dance, where the motivation for movement becomes even more abstract, directional movement may be seen in which not only is the object invisible, but the direction or goal in space is not so important as the form of the path itself, or the process of moving through a form. What this means for observers in the field of dance is that directional movement in dance often must be thought of much more in terms of a spoke-like, linear path, or an arc-like, flat form, rather than as going toward a place or thing or point in space. The latter is much closer to the everyday, functional appearances of directional movement.” (A Primer for Movement Description p.51)

These basic movements are how we access the space and objects around us as well as how we express ourselves physically, whether intentionally or not. The dancer and choreographer must learn how to use the various forms and modes of shape change, along with Efforts (including TimeSpace, which I have written previous blogs about, and coming soon, Weight and Energy) to convey the mood and message of their work. 

Directional Shape Change & Dance Technique

Just throwing ourselves into shape after shape does not a dance make, however, our transition and links or bridges are also enormously important. This was a major goal of my work with my gymnasts at Island Tumblers Gymnastics on the island of O’ahu, an elite group of athletes looking to improve their competitive edge. Having had years of intensive training, they gymnasts already had outstanding physical strength, flexibility, and control and were able to form themselves into a wide variety of shapes.

Through ballet technique, these gymnasts were able to fine-tune their lines and the appearance of assorted poses (earning them style points) and we strove to finesse HOW they got there, the smoothness and polish of their transitions. Furthermore, they broadened their expressive range and attention to the details of every moment of their routines, not just the flashy and fun tricks.

This is the difference between what a child or beginning dancer does, imitating the external shapes their teacher appears to make, but not yet able to understand the quality or mode of shape flow, and what an experienced or professional dancer does, having full control of every shape and transition. This all sounds really complex and technical, but it begins with simple exercises in the types of movements described below and slowly broadening awareness of all the possibilities, the menu if you will, of the Elements of Dance.

We are greatly aided in this work by observation and description of movement, both pedestrian and dance choreography, as well as personal exploration and experiential training. We all have automatic default patterns and preferences, but I seek to develop versatile dancers with a broad palette of expressive possibilities.

Reaching into Space with Directional Movement to Make Shapes: Spoking, Arcing, Carving

Let’s look at each of these categories, how to recognize them, and some examples from dance movement. 

Spoking

According to Dell, “If you reach out from yourself toward something around you, or if you reach from one point to another, and you observe the path your body makes in moving, you will find that the path has one of two possible forms. First, the path may have the form of a straight line. Your reaching part may travel along a linear path to get to the point, the part itself may be moving in a spoke-like manner out from your body. Examples of this directional spoke-like movement might appear in someone pushing something forward away from his chest, or in a traffic cop who thrusts his arm out to stop a stream of traffic, or in a catcher who reaches up overhead to catch a ball.” (A Primer for Movement Description p.60)

In ballet, we see spoking movements mostly in the legs, such as in pas de cheval, frappé, and developpé. The arms mostly take an arcing or carving path, giving the upper-body movements fluidity. 

Arcing

Whereas spoking forms the path of a straight line in space, “The second possible form the path may take is that of a flat arc through space. That is, if you want to reach something to the side of you, and instead of thrusting your arm out in a spoke-like way, you swing it out from its hanging position, you have described the flat arc in space, called directional arc-like movement. Examples of directional arc-like movement could be seen in the jumping jack exercise in calesthenics [sic], or the arm movement of the boxing referee counting for a knockout. Where spoke-like movement often involves the unfolding of many body parts into a direction, arc-like movement is more likely to be active in only one joint, as for instance the whole arm moving as a unit from the shoulder joint.” (A Primer for Movement Description p.50-1)

In ballet for example, we practice arcing movements in steps such as tendu, degagé, & grand battement, among others.

Carving

Carving is shape change which is oriented to creating or experiencing volume in interaction with the environment. ‘I mold or contour or accommodate to the environment or other people.’ For example, as I describe a complex project with many parts that interact to create a rounded whole, I am probably molding the space in front of me with my hands. Or, when I hug someone, I contour and accommodate my body to theirs in a voluminous way. Carving provides a quality of movement that leads to integrating the self and the world; ‘I am involved in a co-creative relationship with others or the world.” (Making Connections p.222)

Ballet movements exhibiting this carving movement include Rond de jambe, coupé jeté, & renversé. 

Shape Qualities

Now let’s take a look at the qualities with which we move into shapes, and how that impacts our dancing. According to Hackney: “Shape Qualities give information about the attitudinal process of changing the shape of the body. Every movement is an action of shape change from Closing to Opening, or Opening to Closing, even if the movement is very subtle. Opening/Closing is the most general statement of Shape change. This Opening/Closing can be felt or spoken about more specifically in terms which describe ‘toward where’ the shape is changing–the essential spatial pull which is coloring the expressive quality of the movement. These pulls are related to a Dimensional matrix in space.
Rising
Sinking
Advancing
Retreating
Spreading
Enclosing” (Making Connections p.222)

This language is helpful in learning dance technique and choreography, illuminating the corrections we receive in class and the intention of the dance movements we are asked to perform. Here are some examples in practice:

What are your favorite dancing or yoga shapes? What are their key characteristics in terms of form?

How might a shift in the quality of your movement into and out of shapes affect your dancing?

Blythe Stephens, MFA
she/her or they/them
A Blythe Coach
move through life with balance, grace, & power

DISCLAIMER: A Blythe Coach recommends that you consult your physician regarding the applicability of any recommendations and follow all safety instructions before beginning any exercise program. When participating in any exercise or exercise program, there is the possibility of physical injury. If you engage in this exercise or exercise program, you agree that you do so at your own risk, are voluntarily participating in these activities, assume all risk of injury to yourself.

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